I always thought the name Montana, for a condo on the 800 block of 15th Avenue near the hub of the 17th Avenue shops and restaurants, was strange. Perhaps it was called that because on a clear day looking south from the penthouse of this 27-storey condo you can see all the way to Montana. (A reader has informed me the name actually comes from the TV show Frasier, who lived in the Montana condo. Still doesn't make much sense to me, but makes for a more interesting story).
A more appropriate name might have been “Nellie”, given it sits on the same block as the Nellie McClung house. She was one of the “Famous Five” women who successfully lobbied the federal government in the early 20th century for women’s rights. In fairness, the developer Pro Cura did recognize Montana’s proximity to Nellie’s birthplace by calling one of the condo designs Nellie. They also donated $1,000 from the sales of some of the units to the Famous Five Foundation.
Calling it “Nellie” might have seemed a bit strange back in the late ‘90s when Montana was conceived, before it became very popular to give condos a person’s name - two recent additions to the Beltline condo line-up being Smith and Drake by Grosvenor. I expect the trend will continue as developers scramble to find curious names with some cache and brand value for marketing purposes.
Montana’s design is an example of modified “wedding cake” architecture made popular in New York City in the early 20th century as a result of a 1916 zoning bylaw that forced developers to reduce a building’s shadows at street level. To do this, architects created buildings that were narrower at the top than the bottom, by creating distinct tiers stacked upon each other like a “wedding cake.” This gives the building a taller and slimmer profile so the upper floors casted a much smaller shadow.
The shape also creates a number of interesting corner opportunities which ProCura exploited, creating not one, but 35 penthouse suites. Granted, the developer was a bit liberal in their interpretation of what is a penthouse, but hey, that’s marketing. For Montana, a penthouse is defined as just a larger suite with a corner view and expanded balcony - not just the top floor.
Montana’s pyramid-like roof has been nicknamed by one of my colleagues as a “party hat” roof, as it has the same proportions as one of those silly conical-shaped hats people wear at birthday parties. Personally, I like the roof. I think it enhances the building’s elegant profile and is much more visually interesting than the flat rooftops of most buildings in the Beltline. I also think it enhances the building’s art deco character.
Designed by Calgary’s own BKDI architects (who recently merged with Zeidler in July to form Zeidler BKDI), Montana’s exterior is composed of brick and limestone, two of the most timeless construction materials. It enhances the building’s link to the past when most of the warehouse buildings south of the CPR tracks were brick with some accent stone, including limestone.
Good urban design often builds on the past with a modern twist, which is exactly what Montana does.
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