Calgary's Audacious New Library

By Richard White, September 5, 2014 (An edited version of this blog was published in the Calgary Herald).

The idea of a new iconic central library has been around for decades (Vancouver got its iconic library in 1995, as did Denver and Seattle in 2004.  In fact, it was acknowledged at the Calgary Public Library Foundation’s preview that one of the reasons Councilor Druh Farrell originally decided to run for council in 2001 was to foster the development of a new central library.

She and others have been championing the idea tireless and today she is Council’s representative on the Calgary Public Library Board. Nobody can say the Library Board or Council has rushed into this project, it has been a slow painful process for some and for others a strategic struggle.

Finally the wait is over. 

Vancouver's iconic Central Library has been the envy of many Calgarians since it was built in 1995.

Vancouver's iconic Central Library has been the envy of many Calgarians since it was built in 1995.

Think Global Act Local

The new library's design team of Snohetta and DIALOG was announced in November 2013 and since then has been working hard to develop a design that will capture the attention of both Calgarians and the world.  It was a good choice as Calgary’s DIALOG team is headed up by Rob Adamson, who was born in Calgary, got his architectural degree from the University of Calgary and has spent his entire career in Calgary – he can obviously speak to Calgary’s sense of place.  His projects include the impressive TELUS Spark and the new international wing of the Calgary Airport. 

In addition, Fred Valentine one of Calgary’s most respected architects (architect for the NEXEN building) has also been advising the Library’s steering committee and Board with respect to design issues and opportunities. 

Craig Dykers heads up the Snohetta team in New York City who bring to the table a wealth of international library experience including the award winning Bibliotheca Alexandria.

The Design

The design team for Calgary’s new central library make no bones about it they have an audacious (their words not mine) vision: to create the best library in the world.  They were quick to that creating the best library is more than just about design, it is about being “right for this place and time.”  Craig Dykers of Snohetta argued, “Libraries are not about the building, the books or the information but about the people.”  He also noted that the best libraries must evolve with time and Calgary's new library must be able to do just that.

The inspiration and rationale for the design of the new library as unveiled at the Calgary Library Foundations’ Preview September 3rd and again at a sold out presentation (1,200 attendees) at the TELUS Convention Centre on September 4th is very complex.  Everything from the curve of the underground LRT tunnel to the Chinook arch were mentioned as factors influencing the building’s conceptual design.  

Rendering of the shape and massing of the proposed new downtown Library.

Rendering of the shape and massing of the proposed new downtown Library.

Diagram illustrating the shape of a drift boat. 

Diagram illustrating the shape of a drift boat. 

Shape of a drift boat from all sides

Shape of a drift boat from all sides

Drift Boat?

What struck me most when looking at the rendering is that it looks like a boat.  At first I thought of a canoe but then it hit me – it looks like the drift boats that are used by fly fishermen on the Bow River. These boats have a flat bottoms with flared sides, a flat bow and pointed stern. They are designed to handle rough water and to allow fishermen to stand up in the boat, even in flowing water. Whether intentional or unintentional there are some interesting links to Calgary's sense of place (rivers) and culture (recreation).

Rendering of the new library's 3rd Street SE facade.

Rendering of the 3rd Street SE facade in the summer with the Municipal Building on the left. 

Rendering of the 3rd Street SE facade in the summer with the Municipal Building on the left. 

Yin Yang on 3rd Street SE

I was also struck by how similar the massing is to the Municipal Building that will run parallel to the new library on the west side of 3rd Street SE. Both are block-long horizontal mid-rise buildings in a downtown that is dominated by its verticalness.  Inside both buildings will have a floor to ceiling atriums as their dominant design feature.

The Municipal Building’s design is unique with a stepped façade on the west side, an obvious reference to the foothills and the mountains and a flat east façade, a design metaphor for the prairies. Dykers indicated he thought what defined our city’s unique sense of place is its position between the mountains and the prairies.

While nobody said it, I think there could be a nice “yin and yang” design materializing between the angular Municipal Building and the curved new library. I think there are also links with the design and massing of the new National Music Centre. The synergies between the three buildings could create something special from an urban placemaking perspective.

The façade of the proposed new library has a repeated geometric pattern that is in the shape of a house or shed. It creates an obvious scientific, mathematical or engineering visual impression.

This too might be appropriate as Paul McIntyre Royston, President & CEO of the Calgary Library Foundation announced the new library will have a Research Chair - a first for a public library in Canada.  He spoke of the new library as being an “incubator for research and ideas.” He also went on to say “all great cities have great libraries” and it was the team’s goal to create a great library for Calgarians and he wasn’t afraid to reiterate that vision is to “create the best library in the world”


The Municipal Building is a massive blue glass triangle sitting on top of a concrete rectangle. The historic sandstone city hall in the bottom right corner is still used as offices for Mayor, Council and meeting rooms. The building makes obvious references to the foothills, the big blue prairie sky and the powerful forces of faults, folds and shifting tectonic plates that formed the Canadian Rockies. 

The west facade of the Municipal Building alludes to Calgary's sense of place i.e. where the prairies meet the mountains; the triangular shape and stepped facade creates a unique shape. The glass facade creates wonderful reflections of the historic sandstone city hall building to the north east. 

From the northeast the Municipal Building has an intriguing profile as a result of its triangular shape that will contrast nicely with the propose new library's curved shape at the same corner.

From the northeast the Municipal Building has an intriguing profile as a result of its triangular shape that will contrast nicely with the propose new library's curved shape at the same corner.

This view of the Municipal Building from the east will disappear when the new library is built. 

This view of the Municipal Building from the east will disappear when the new library is built. 

Last Page

I like the fact the design is not something twisted, cantilevered or cubist, which seems to be all the rage these days. The shape and skin are intriguing with a sense of playfulness without being too silly.  I expect only time will tell if this is the right building for Calgary - today and in the future. 

The design of the Calgary’s new Central Library is off to a good start. I am glad it isn't imitative of other architecture as is so often the case in Calgary.

I hope that as the design evolves it will just keep getting better. Kudos to the design team, the Library and CMLC staff! 

Denver's Central Library designed by Michael Graves, in 1995. 

Seattle's Central Library designed by architect Rem Koolhaas, in 2004. 

Seattle's Central Library designed by architect Rem Koolhaas, in 2004. 

Denver vs Calgary: A Tale of Two Thriving Downtowns!

Richard White, June 15, 2014 (An edited version of this blog appeared in the Calgary Herald, Saturday, June 14, 2014 titled "Downtown cores: Denver vs Calgary).

A recent visit to Denver reminded me of how similar yet different its downtown is to Calgary’s.  Downtown Denver is divided up into 10 districts encompassing an area of about 8 square kilometers. This would be the equivalent in Calgary of – Downtown Core, Downtown West, East Village, Beltline, Sunalta, Hillhurst, Sunnyside, Bridgeland and Inglewood.

The Downtown Denver is thriving with twenty-six, new projects completed in 2013, totaling 2.2 million square feet (residential and commercial) and valued at $1.8 billion in private and public sector investment. Since 2008, 78 projects have been completed, are under construction or planned, totalling over 5 billion dollars. 

From January 2013 to May 2014, the total value of building permits for Calgary’s downtown was 1.2 billion dollars.  Since 2008, Downtown Calgary boasts 100+ projects completed, under construction or proposed since 2008, including over 7 million square feet of office space alone.  

Denver has a healthy mix of old and new architecture.

Calgary's downtown sense of place is dominated by office towers like The Bow, designed by Norman Foster. 

Denver vs Calgary at a glance

While Calgary’s central business district has twice as much office space and significantly better shopping (Denver has nothing to match our Hudson Bay department store, The Core or Holt Renfrew), Denver offers up more museums, a baseball park and a huge convention centre.

Both cities have two waterways that are lined with parks, pathways and condos - Denver has South Platte River and Cherry Creek, while Calgary has the Bow and Elbow Rivers.

While downtown Denver focuses on professional sports facilities, Calgary’s downtown forte is its recreational centers. Denver boasts its Elitch Gardens (a summer midway fairground and botanical garden) Calgary has Stampede Park and the Calgary Zoo.  Denver’s spanking new Union Station is the hub for an extensive regional transit system while Calgary’s 7th Avenue serves as its transit hub.

From a public space perspective, Denver has 152 acres of parks (Civic Centre Park, Confluence Park, Commons Park and Centennial Gardens), Calgary can go toe-to-toe with its 150 acres consisting of Olympic Plaza, Prince’s Island, Memorial Park, Shaw Millennium Park, Fort Calgary Park, Eau Claire River Promenade and East Village River Walk.

From a contemporary architectural design perspective, Denver’s contemporary gems are the Denver Art Museum (architect, Daniel Libeskind) and Public Library (architect Michael Graves).  Calgary easily matches that with The Bow (architect, Norman Foster), the Peace Bridge (architect, Santiago Calatrava) and Eighth Avenue Place (architect Pickard Chilton) and Hotel Le Germain (architect, LEMAYMICHAUD).

Denver's uber contemporary Art Museum. Calgary lacks a major arts museum.  

Denver was one of the first North American cities to connect signature architecture and downtown library.  Calgary is a late adopter in the iconic contemporary architecture competition.

Jaume Plensa's "Wonderland" on the plaza of the Bow office tower in Calgary.

Larry Kirkland's sculpture titled "East West Source Point" sit on Denver's municipal plaza.

Denver's Millennium Bridge allows pedestrians to cross the railway tracks to get to the river. 

Calgary's Glenbow Museum is both a history and art museum.

Calgary's downtown library.

Eight Avenue Place is one of several new major office towers constructed in downtown Calgary over the past five years.

Calgary's Peace Bridge designed by Santiago Calatrava is a popular place for pedestrians, joggers and cyclists to cross the Bow River. 

Denver's LRT map

Calgary's LRT Map

Tale of Two Malls

From an urban design perspective, both cities’ downtowns are dominated by their pedestrian malls, which serve as their urban backbone, linking their respective neighbourhoods, attractions and amenities.

The creation of downtown pedestrian malls was all the rage in the ‘70s and ‘80s, like bike lanes are today.  However, most have not succeeded in revitalizing their downtown as a shopping and dining destination, especially in large cities.  Most of the North American pedestrian malls have been abandoned, while others have added some car or transit traffic to them. Calgary’s Stephen Avenue Walk and Denver’s 16th Street Mall are two of the more successful large city pedestrian malls in North America.

Denver’s 16th Street Mall is 16 blocks running from their Civic Centre district through their Central Business District (CBD), LODO and terminating at Union Station and the South Platte River. Technically, the 16th Street Mall is no longer a “pedestrian mall” as it now has a free shuttle bus (the equivalent to Calgary’s free fare LRT zone) that runs back and forth every five minutes relegating pedestrians to the sidewalks.

While the 16th Street Mall links several districts, most of the major attractions are several blocks off the mall including the Library, Art Museum, Convention Centre, Performing Arts Centre, Children’s Museum and Aquarium.

While Calgary’s Stephen Avenue Walk (also not a true pedestrian mall as it has traffic on it at night) is only six blocks long, however it connects pedestrians to the front door of an amazing number of its downtown activities and attractions such as City Hall, Olympic Plaza, Performing Arts Centre, Glenbow Museum, Convention Centre, historic district, Devonian Gardens, Financial and Fashion districts. 

However, after visiting the 16th Street Mall, I think it might it be time to consider extending Stephen Avenue all the way to 11th Street SW making it 12-blocks long? In so doing, it would provide a pedestrian-friendly link from the thousands of new condos planned for downtown’s West End, as well as to Shaw Millennium Park and the potential new contemporary public art gallery (at the old Science Centre) to the downtown core and the downtown’s burgeoning east end. An expanded and redesigned Stephen Avenue could also accommodate cycling.

The days of restricting urban streets to just one mode of transportation are gone. Good urban design evolves with changes in urban living. Today, the focus for creating vibrant urban places is on creating good pedestrian, transit, cycling and vehicular access. 

Denver's 16th Street Mall 

!6th Street Mall at the LODO warehouse district 

Biscuit Block (currently being renovated) is one of many warehouse buildings along downtown Calgary's Canadian Pacific Railway tracks.  

Calgary's Stephen Avenue Walk is a very popular place at lunch hour. (photo credit: Jeff Trost)

Calgary's flagship Hudson Bay Store on Stephen Avenue.

The CORE shopping centre on Stephen Avenue. The massive skylight spans three city blocks, seamlessly linking  three office retail complexes, as well as the Devonian Gardens. The natural light emulates an outdoor promenade. The skylight is the world’s largest point-supported structural glass skylight.

Downtown Living

Denver has made significant residential development gains in over the past 15 years especially along the South Platte River and in LODO.  Currently, 66,000 residents live in their 10 downtown districts, with another 7,000 condo units under construction or planned.

A similar comparison of the ten communities surrounding Calgary’s downtown adds up to 65,000 residents. Recently Altus Group (Calgary Herald, May 15, 2014) estimated there are an amazing 12,447 residential units proposed, pre-construction and construction stage in our City Centre; this doesn’t include those communities north of the Bow River or east of the Elbow.  Most of Denver’s new condo developments are mid-rise (around 10 to 15 storeys) compared to Calgary’s multiple 20+ story condos).

Denver’s LODO (lower downtown) district is the equivalent of Calgary’s Beltline. Both are vibrant hipster and yuppie hangouts with diverse restaurants, pubs and clubs next to their respective central business districts.  Twenty years ago, LODO was just a vision - today it is a lively urban village. This argues well for Calgary’s East Village.

What downtown Calgary has that Denver lacks are the mixed condo/single-family residential villages next to its downtown - Hillhurst, Sunnyside, Bridgeland and Inglewood. There is nothing in downtown Denver that matches the street life of Kensington, 17th Avenue or 9th Avenue SE in Inglewood.

One of Denver's highrise condos.

One of several mid-rise condos along Denver's downtown railway tracks. 

Denver's Cherry Creek pathway and condos.

Calgary's Bow River and the Eau Claire condos.

Calgary's Eau Claire Promenade is popular with walkers, joggers and cyclists year-round.

Calgary's First Street SW is one of several pedestrian zones on the edge of downtown.

Calgary's 17th Avenue is a popular retail and restaurant row just seven blocks from the central business district. 

Mixed-use development in downtown Calgary includes major office and condo towers with urban grocery store. 

Last Word

 Calgary’s greater downtown offers an amazing diversity of urban living options from highrise to midrise, from townhouse to single-family and from riverside to parkside.  Few cities in North America under two million people can match the diversity of urban living options Calgary has in its downtown neighbourhoods.

The fact Calgary can go toe-to-toe with Denver’s downtown is significant given metro Denver has not only three times the population, but a downtown considered by urban planners to be one of the healthiest in North America.  Calgarians (citizens, politicians, architects and developers) should be proud of the downtown we have created.

While there is always room for improvement and we can’t be the best at everything, what we have accomplished for a city of just over one million people is significant.  There’s no need to apologize to anyone.

Do we really need all of this public art?

By Richard White, May 16, 2014

It hurts me to say this, but “do we really need all of this public art?” Over the past year, I have visited dozens of cities making a point to always seek out the public art wherever we go.  I have seen literally hundreds of public artworks, big and small, abstract and representational, local and international artists.  I have served on a jury for selecting a public artwork for a Calgary LRT station and I have written several blogs and columns on the pros and cons of public art.

In all of my travels (dozens of cities across North America) I have only experienced four public artworks that I feel have captured the public’s imagination enough to make them stop, look and interact with the art.  Sadly, most public art within a few months quickly becomes just a part of urban landscape.  More often than not, public art doesn’t really add to the urban experience by creating a unique sense of place or a memorable experience.   

 While I love art, I appreciate that I am in the minority; that for many, there is not much public appeal in public art that is being installed around out city (and other cities).  It is therefore not surprising that many Calgarians as well as many in other cities, question the value of spending tax dollars on art that adds little value to their life.

Found this public public art piece in downtown Portland the "Bike Capital of America." What do you think? Does Calgary need more bike art? More horses? You can't please everyone. 

Fun & Interactive 

Of the four pieces of public art that did engage the public, two were in Chicago’s Millennium Park – Crown Fountain by Jaume Plensa and Cloud Gate by Anish Kapoor. These were by far the most successful with hundreds of people actively engaged by their intuitive playfulness.   

In Vancouver, “A-maze-ing Laughter” by artist Yue Minjun in a small pocket park (Morton Park) next to English Bay beach seems to always have people young and old wandering around the 14 (twice life size) bronze cherub-like, laughing figures.  The park is full of laughter and smiles, something urban spaces need more of.

The fourth piece is Jeff de Boer’s “When Aviation was Young” at the Calgary Airport West Jet waiting area. This two-piece, circus-looking sculpture with toy airplanes that spin around when you turn the large old-style key is a huge hit with young children waiting to board a plane.  Like most successful public art, it is fun, and encourages public interaction.

In Calgary’s downtown the two pieces I see the public most often stop, take pictures and interact with are “The Famous Five” on Olympic Plaza and “Conversation” on Stephen Avenue Walk.  Interesting to note that they are both figurative, pedestrian scale and located in an active public space.  Downtown Calgary boasts over 100 public artworks, but none of them are a “must see” attractions (at best they area a “nice to see” and get a walk-by glance).

For all the hoopla over Jaume Plensa’s “Wonderland” (big white head) when it was first installed on the plaza in front of the Bow Tower, today it sits alone attracting only a few visitors a day.  

This is not just a Calgary dilemma. Even in Chicago, major public artworks by the likes of Picasso, Calder and Miro (three of the 20th century’s most respected artists) situated on office plazas just a few blocks from Millennium Park, are devoid of any spectators outside of office hours.

Anish Kapoor's "Cloud Gate" is so popular with the public that it has a nickname - THE BEAN! When the public gives an artwork a nickname you know they like it!

"Root Like a Liquid Flung Over the Plaza" by Acconci Studio graces the corner in front of the Memphis Performing Arts Center.  It has many of the qualities of Kapoor's "Cloud Gate," it is fun and there are interesting reflections and places to sit, yet it attracts no crowds.  

Juame Plensa's "Crown Fountain" is popular day and night. It is a wonderful place to linger.  It attracts thousands of people most days spring, summer and fall.  

Jaume Plensa's "Wonderland" located on an office plaza in downtown Calgary attracts only a few visitors a day. 

Come on admit it, even this photo of "A-maze-ing Laughter" brings a smile to your face.

Calder's "Flamingo" was unveiled in 1974.  It is fun, colourful and playful piece, but it doesn't invite any interaction. Over the years it has become less and less a magnet for tourist and locals to visit.  

William McElcheran's "Conversation" on Stephen Avenue Walk is very popular with the public.  Often people will place a coffee cup in their hand or add a scarf to one of the figures.  The public loves to have their picture taken with the two businessmen. 

Barbara Paterson's "Famous Five" sculpture in Calgary's Olympic Plaza invites the public to come and sit with them, have your picture taken and some even like to leave a tip.

Big Names / Big Deal 

Commissioning a big name artist clearly doesn’t guarantee the artwork will be successful in capturing the public’s imagination. 

Claus Oldenburg’s “Big Sweep” sculpture in front of the Denver Art Museum or “Roof Like a Liquid Flung Over the Plaza” by the Acconci Studio on the plaza of the Memphis Performing Arts Centre are both major pieces by established artists, yet they have done nothing to animate the space around them. 

Perhaps we need to thing differently about commissioning public art.  Nashville has a program, which commissions local artists to create bike racks that serve a dual purpose. Some are very clever and some I think are tacky, but at $10,000 each you can afford to have a few duds. 

In the early ‘90s the Calgary Downtown Association initiated the “Benches as sculpture” project, commissioning local arts to create sculptures that also serve as benches. The artwork (benches) have become a valued addition to the downtown landscape, so much so that the Provincial judges lobbied to make sure the “Buffalos” were returned to the courthouse plaza after it was renovated to add a parking lot underneath.

Claus Oldenburg and Coosjevan Bruggen's "Big Sweep" sits outside the entrance to the Denver Art Museum. It is fun, but static, and there is signage next to it with several rules that restrict how you can interact with it. 

This piece sits outside the Tucson Public Library in their Cultural District.  I couldn't find information on the artist or the title.  We passed this piece several times and never saw anyone stopping to look at it. 

The City of Calgary allows office developers to build taller buildings in return for pubic art on their plazas like this one. The developers get more space to rent and in theory the public gets a better quality urban space to enjoy. In reality this space on the southwest plaza at Bankers Hall is enjoyed by only by a few smokers a day. 

Nashville's fun bike racks as art program adds some whimsy to this streetscape. 

Lessons Learned

It hurts me to say this, but Calgary is not being well served by the millions of dollars we have invested in public art, both publicly and privately.  In my opinion, what would be best is if we pool all of the available public art money (bonus density and 1% for public art) and create dedicated art parks.  I am thinking we could have sites in each quadrant and perhaps a couple in the greater downtown that are designated for new artworks. When a new project is approved the public art contribution would be designated to the closest art park. 

The current, “democratic” approach of placing public art of all shapes, sizes and subject matter randomly throughout the city (parks, LRT stations, bridges, plazas) simply fragments and isolates the public art experience.  What was supposed to be a program to humanize and make the urban environment more interesting and attractive, has only served to outrage many and create rifts in our community.

The time has come for Calgary and most cities to rethink their public art policy.

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The Famous Five at Olympic Plaza 

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Denver's tallest office tower is transformed into an art gallery

By Richard White, April 30, 2014

"Scrounge" is a great name for an art exhibition, as most artists I know love to explore thrift and second hand stores, as well as rummage and garage sales "scrounging" for artifacts. I even know one artist who regularly roams the back alleys of his inner city community to see what he can find. Society's new mantra of "recycle, reuse and repurpose" is just beginning to catch-up with what visual artists have been doing for centuries.  

The Arts Brookfield's exhibition "Scrounge"  in the lobby and lower level of the 56-floor Republic Plaza office tower in downtown Denver is a very ambitious project.  Yes, lots of office building lobbies have public art and yes some even host exhibitions from time to time, but rarely do they have a curated exhibition with 26 different artists and over 100 works of art.  

The diversity and creativity of the art in this exhibition is impressive - everything from recycled clothing fabricated into weird and wacky figurative sculptures to robots made of household appliances.  While some of the works are modest, folk art-like pieces, several are major works of art. "Scrounge" is a fun, thought-provoking exhibition. 

One of the unique things about the visual arts is that you can take the experience home with you and live with it for years.  Too often public and private galleries make it very difficult find out if it is for sale and if so, the price.  Most of the art in "Scrounge" is for sale and a copy of the price list are easy to obtain from the office lobby. 

Unfortunately, the Republic Plaza's walls and lighting are not ideal for art. I don't understand why the interior design of office lobbies (and for that matter, public buildings like libraries, hospitals and courthouses too) aren't designed so they can better accommodate art exhibitions. In most cases, I expect it would be cheaper than the cost of fountains, gardens, trees and living walls. 

Here are some of our favourite artworks from "Scrounge," the exhibition continues until June 5, 2014 (8am to 6 pm, Monday to Friday).

The main floor lobby is filled with whimsical assemblages like this piece by Mark Friday that blur the boundaries between folk art, still life and sculpture.

The main floor lobby is filled with whimsical assemblages like this piece by Mark Friday that blur the boundaries between folk art, still life and sculpture.

Jimmy Descant is famous for his robots and spacemen made from household appliance parts.

Owen Gordon's "Waisting Time" is a quirky artwork that incorporates lots of pants, belts and a chair. 

Close-up of "Waisting Time."

The integration of numerials, mathematics and space travel is a recurring theme in the exhibition.

One of the highlights of the exhibition is a huge "Scrounge" exhibition title artwork in the lobby entrance with eight artists from the exhibition each creating one 4-foot letter. The letter "S" by Deborah Jang using an old traffic sign, spindles from a staircase and recycled wood. It employs a playful sense of line, pattern and shape. 

"Ducks in a Row" by Mario Rivoli is a very fun piece, but suffers from too much reflection off the glass and the distractions of the mottled wall.  Below is Rivoli's artist statement which is a fun read, capturing the spirit of many artists, not just those who work with recycled materials. 

artist's statement

I love the simplicity of Craig Robb's "Second Twilight" made of steel and rubber tubing. 

Bernice Strawn had several of these wood and metal simple figurative pieces (each piece had a hint of colour, either red or blue). I was very tempted to purchase one of these to add to my collection. 


Scrounge was a wonderful surprise as we flaneured the streets and buildings of downtown Denver.  We were just walking by on our way to Denver's Cultural Zone and the Art Museum when Brenda spotted the art though the lobby's large glass walls.  It turned out to be the highlight of our downtown Denver walkabout.

Kudos to Arts Brookfield for facilitating the exhibition.  I wish more Brookfield-owned offices would enlist in the program. (Arts Brookfield is a global initiative which engages communities by invigorating their public spaces through free, world-class cultural experiences.)

Let's hope Brookfield's new office tower, Brookfield Place in Calgary will have a purpose-built gallery at street level that will accommodate ongoing art exhibitions like "Scrounge."   I would also hope that Telus' new Sky Tower, also in Calgary would have a gallery/lobby space for exhibitions to animate the building and street seven days a week.

Kudos to Calgary's Eight Avenue Place which is currently using its lobby and +15 (second floor) retail spaces as an art gallery and event space in the same way as Denver's Republic Plaza.

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