University of Calgary: Can art change anything?

On Friday, December 5th from 11:15 to 11:50 am, artist Teresa Posyniak and the Law School at the University of Calgary invite Calgarians to attend the 20th anniversary of the installation of the sculpture "Lest We Forget." 

In conjunction with the National Day of Remembrance and Action on Violence Against Women, this event will be an opportunity to collectively reflect on Posyniak's installation LEST WE FORGET which was installed at The Law School at the University of Calgary (2nd floor of the Murray Fraser Hall) twenty years ago.

Installed in 1994, it is her personal response to violence against women starting with the Montreal massacre of 14 women on December 6th, 1989.  

Guest blog by Teresa Posyniak, November 30, 2014 

Building a memorial to murdered and missing Canadian women wasn’t something I’d thought of back in 1989.  At age 38, with a six-month old daughter and 2 year old son, I had delayed motherhood to pursue an MFA and establish a career as an artist and instructor at The Alberta College of Art and Design.   

My 80’s work, The Sanctuary installations - large, contemplative, full of metaphors relating to vulnerability and resiliency - never overtly reflected my social activism.  All that changed after the Montreal massacre of 14 women on December 6th, 1989 at L’ Ecole Polytechnique.  This tragic event and concern for my kids’ future pushed me to make a strong art statement about violence against women. 

Would my daughter Kaia ever be safe, even at university?  Would my son, Nick, grow up to be like his father, Clarence Hookenson - considerate and respectful of women? 

As I began exploring ideas about violence against women through drawings and paintings, I thought of my own experiences – of being sexually assaulted, of helping out girlfriends who’d been attacked, of growing up around an aunt, mother of 5, who lived in terror of my uncle’s rages, and of sexual harassment which nearly derailed my graduate studies at the University of Calgary.

Can art be a vehicle for social change? 

I was at a loss how to express these hopes and fears through art.  While I admired some political art of the past, I was also aware that socially engaged art sometimes sacrifices aesthetics for the big message or conversely, leaves the viewer bewildered, unaware of the artist’s ideas.  And there’s the big question, can art ever be a vehicle for social change?  

My inspiration came in early 1991 when I read a “femicide” list of murdered women compiled by Mary Billy of B.C. in This Magazine (formerly called This Magazine is about Schools).  I was fascinated by Ms. Billy’s idea that rather than focussing on the names of the men who murder women, we should instead remember the female victims’names, “make their deaths count for something”. 

With that in mind, I designed and built a sculpture upon which I wrote each woman’s name and age of death, adding more as they sadly appeared regularly in the local media.  After the names of the Montreal 14, I pointedly added those of nine local aboriginal sex trade workers (not identified as aboriginal on the sculpture) whose murderer(s) had not yet been found.  I felt strongly that not enough attention was focussed on investigating these unsolved murders. 

Was it because they were First Nations or Metis?  They were someone’s daughter, mother, aunt, sister or friend as well!  These questions continue to rage today.      

LEST WE FORGET - name side detail 1.jpg
Lest We Forget unfinished side

I was unprepared 

Lest We Forget, constructed with paper, wood, styrofoam, paint and leaves – all easily destructible materials- was never intended to be a public sculpture.  During its first exhibition, curated by Muttart Gallery  director Richard White in 1992, it attracted the attention of University of Calgary law school alumni Judy Maclachlan who felt that this sculpture, if placed in the Law School (then under construction), would serve as a reminder to lawyers and lawmaker of their responsibilities. 

Once Dean Sheilah Martin secured approval for the sculpture’s placement in the building’s airy main foyer across from the Law Library, the need for the protection of a glass and steel case posed another hurdle. 

Lest We Forget made it past the proposal stage due to the generosity of Bahaa and Emily Faltous of Moli Industries who designed, built and installed the protective case at a significant discount.  Fundraisers paid for the materials.  

Helen Zenith of Newzones Gallery of Contemporary Art (my representation at the time) convinced the The Alberta Foundation for the Arts to buy Lest We Forget and permanently loan it to the Law School.  It took almost two years and the efforts of many to see this project to its conclusion.    

I was unprepared for the depth of emotion and the exposure to the victims’ families’ trauma.  Some called me to tell me about the tragic deaths of their loved ones.  I added names to the sculpture when requested, even responding to a Calgary Sun reporter’s request to include the name of a mother of five who was randomly murdered in Pincher Creek while minding the family store alone.  

Before its installation, Suzanne LaPlante Edward, the mother of Anne-Marie Edward - one of the Montreal 14 - visited my studio while on a cross country tour to promote gun control.  I also received a visit from the extended family of an aboriginal woman murdered while working in the sex trade.  They brought the woman’s 18-month old son to see the sculpture and took his picture next to his mother’s name.  Ten years later, he left a rose and a card at the base of the memorial after the annual December 6th vigil. 

Lest We Forget

Sign of Hope 

I’ve always believed in the power of art.  Did Lest We Forget change anything? Did it increase anyone’s awareness?  I’m not sure. 

Twenty years after its installation, we will formally gather again to remember the women and to talk about ways we’ve moved forward and what needs to be done. 

To me, that’s a sign of hope.

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Safety + Segregation + Space = Sterility

I have a theory. In fact, I’ve had it for some time. Simply stated, it is Safety + Segregation + Space = Sterility. I’m inspired to publicly share it after my recent conversation with Mel Foht, President and COO of Royop Development Corporation. Having just returned from his trip to Europe, we began talking about safety, segregation and public spaces as well as how Calgary differs from European cities in its approach to urban design. 

Street Safety

“Are Calgarians obsessed with safety? Are we making our urban spaces and places too safe?” These are questions I’ve often wondered. Though many readers may well disagree, I’d hazard a guess to say Mel and I aren’t the only ones who think we are correct.

If we want our streets to be safer, the first step might be to get all walkers, joggers, cyclists and drivers to unplug from their headphones.  We need to take a page from the peewee hockey players’ manual – “keep your head up if you don’t want to get hit.”  Whether on the sidewalk or street, we all need to look ahead and around to be aware of our environment.

Street safety is a shared responsibility.

In Salt Lake City, many of the cross walks have a reminder to look both ways. 

In Salt Lake City, many of the cross walks have a reminder to look both ways. 

Salt Lake City takes cross walk safety as step further by providing bright orange flags for pedestrians to use as they cross the street. Is this going too far?

Four-way stops are easier for pedestrians, cyclist and drivers to share the space and are a lot cheaper than round-abouts and speed bumps.  

Calgary roads for the most part have lots of room for pedestrians, cyclist and drivers if we respect each other and share the road. Share The Road signs are a good reminder that EVERYONE is responsible for sharing the road. 

Food Safety

And then there is food safety. Foht gives kudos to Mayor Nenshi and Council for fast tracking the licensing of food trucks a few years back. Calgary has about 45 food trucks (Portland, a city renowned for its street food culture, in comparison has over 500). It should be noted that Portland’s food carts are permanent street vendors (not trucks) and are often clustered on under-utilized parking lots. In fact, their downtown even has a block-long, surface parking lot ringed with food carts which creates a festival-like, outdoor food court. But as Portland, unlike Calgary, doesn’t have dozens of major office buildings each with their own food court, it is hard if not impossible to make any apple-to-apple comparison.

I am told Calgary once had the reputation for having some of the toughest food safety laws in North America. While on one hand that’s important and good, it basically restricted the food options by street food vendors to mostly hotdogs. If other cities can have rules that ensure food safety yet enable a wider variety of foods to be cooked and served on the street, we surely can too.

Portland has become a mecca for foodies partly as a result of the numerous food carts that transform surface parking and vacant lots into outdoor food courts - not just in the downtown but around the city.

Public Transit Safety

Safety also plays a key role when it come to the dominance of the car as the preferred form of transportation, not only in Calgary but I suspect in most North American cities. 

We experienced this firsthand in Memphis one morning this past winter when my wife Brenda planned to take a 20-minute bus ride from downtown to a shopping area. When ATM issues forced her to go into the nearby bank to talk to a teller, conversation ensued (which included an informal poll of all four tellers as to if she should take the bus or a cab) and a decision was made (solely by them) to call a cab - without Brenda’s permission and at her cost of 25 dollars! (Note: she took the bus back with no concern whatsoever re: her personal safety and at a cost of $3.)  This was not an isolated case – another day she was warned by locals (including a female tram driver nonetheless) to not take public transit alone. Clearly to us, whites in Memphis feel safer in their car than walking the streets or taking public transit. We also now better understand the current situation in Ferguson, Missouri. 

And safety is even shaping Calgary’s suburbs. The popularity of drive-thru coffee shops, ATMs and fast food stores is not only about convenience but also perceived safety.


In many ways, by segregating the modes of traffic in Calgary’s downtown core - for example, 9th Avenue for cars, 8th Avenue for pedestrians and 7th Avenue for transit - we have virtually eliminated the urban vitality that comes from diversity and critical mass.  It is interesting to note that while in the early 20th Century, 8th Avenue accommodated street cars, vehicles and pedestrians, a century later we are arguing whether even pedestrians and cyclists can share the space.

 We have also segregated our activities in a way that chokes off vitality. Think about it. Most of Calgary’s cultural activities are clustered in the east end of downtown, creating a cultural ghetto away from the banks, offices, shops and restaurants. With most plays, concerts, shows, gallery events, festivals, etc happening on weekday evenings and weekends, there’s little need for most to go there during weekday days – other than to simply use it as a pass-through block to get to and from City Hall.

As well, most shops have been segregated to the +15 and +30 levels between the Hudson’s Bay and Holt Renfrew. Few small shops dot Stephen Avenue Walk itself. This stretch of 8th Avenue has become a restaurant ghetto, with vitality basically just around weekday noon hours. Recently, when touring a visiting architect from Holland and his family in the area, they couldn’t believe how the Walk changes at noon hour on weekdays. It is a phenomenon – not necessarily a great one though.

Early 20th century postcard of Stephen Avenue with street cars, vehicle and pedestrians sharing the space. 

Early 20th century postcard of Stephen Avenue with street cars, vehicle and pedestrians sharing the space. 

Salt Lake City allows cars, LRT and cyclist to share the road.

Salt Lake City allows cars, LRT and cyclist to share the road.

In Dublin, as in most European cities, the streets and sidewalks are shared by everyone. The sidewalks are narrow and the roads are crowded with pedestrians, cyclists, motorcycles and cars all interacting at close quarters. 

In Dublin, as in most European cities, the streets and sidewalks are shared by everyone. The sidewalks are narrow and the roads are crowded with pedestrians, cyclists, motorcycles and cars all interacting at close quarters. 


Foht speaks of how Europe’s sidewalks and streets are animated with people doing lots of different things, going in lots of different directions and using lots of different modes of transportation.  It is not unusual, he says, “to see pedestrians, cyclists, scooters, trams, buses, cars and trucks all mixing and mingling on the same street at the same time.” Urban guru Jane Jacobs referred to this as “sidewalk ballet;” others call it “messy urbanism,” while yet others call it “critical mass.” Regardless of what you coin it, great urban spaces are crowded with people who access the space by a variety of transportation modes.

He also noticed that in Europe people were able to share the smallest space that allow “a zillion scooters and bikes to co-exist.” In Calgary, we can’t even seem to get the fact that the sidewalks on in the Peace Bridge are for pedestrians while the middle roadway is for cyclists.  And while European streets may look like a free-for-all to us, they in fact are very safe.

Does this mean they have more or better signage? Not necessarily. In fact, many European cities are experimenting with removing signs, allowing roads and public spaces to be self-governing. We seem to enact the polar opposite approach, ie. more signage and more complicated signage. Perhaps we are too busy trying to read and understand the signs instead of just having some basic signs and rules and then just using common sense.

For some reason, it seems that part of Calgarians’ psychological DNA includes the need for lots of space around us – big houses, big vehicles, big streets, etc. Granted, it is what we have had and in most cases, what we continue to have; it is what we are used to. For us, the extent of “crowded spaces” experience consists maybe of rush hour transit rides and at Stampede or major street festivals.

If we want to create street animation, we need to learn how to share our space. I am a big fan of “Share The Road” signs, four way stops and painted bike lanes as cost-effective traffic calming measures vs. speed bumps, roundabouts and separate bike lanes.  Why is it that Calgary always seems to find the most expensive way to manage the sharing of our streets? 

Last Word

If we really want urban vitality in Calgary, we can’t live in our own individual bubbles. If we really want a sense of community, we have to be aware of and connect with others, embrace sharing public spaces and avoid “safety-phobia.” Safety + Space + Segregation = Sterility – it’s definitely not an equation I want for Calgary.   

By Richard White, November 1st, 2014. An edited version of this blog appeared in the Calgary Herald's New Condo section on November 1st, 2014. 

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Public Art vs Playgrounds in the 21st Century

Note: On September 27,  2014 Richmond, B.C. tourism officials will open an one-hectare, one million dollar playground based on the area's agricultural history. The playground is located in Terra Nova Park in the northwest corner of Lulu Island, on the site of a former farm house and stables. The playground includes a farm inspired water and sand play area, and a "log-jam" - a climbable timber structure that mimics walking on beach logs. There is also tandem 35-meter-long ziplines, a tree house and aerial rope walkway.  The new playground is being billed as a tourist attraction. FYI - this is Richmond's second million dollar playground, the first was Garden City Community Park, built in 2008.

Kids climbing on the log jam structure. 

Kids climbing on the log jam structure. 

In the 21st century slides and climbing structures take on a whole new dimension. 

In the 21st century slides and climbing structures take on a whole new dimension. 

By Richard White, June 16, 2014

Over the past decade in Calgary (and I expect in many cities around the world), children’s playgrounds have become more and more colourful, creative, sculptural and elaborate.  No longer do a few simple swings, metal slide, teeter-totter and “rocking” duck or horse sufficient for the 21st century playground. I am told by my friends at Ground3 Landscape Architecture that $100,000 would get you a reasonably sized playground and $30,000 get you one small combined play piece.  Since 2010, the Parks Foundation Calgary through the Playgrounds and Communities Grant Program has funded over 100 new playgrounds in Calgary valued at $15 million - many in low income communities. 

While Calgary may not have bragging rights a having one of the top ten playgrounds in the world, our children are blessed with over 1250 playgrounds in parks and schoolyards across the city – that’s about six playgrounds per community.  Nobody is more than a few blocks from a playground in this city.  Perhaps Calgary’s moniker should be The City of Playgrounds.

One of my favourite mid-century modern playgrounds is located in Lakeview. It is interesting in that it is only accessible by walking along a tree-lined pathway from Linden Dr. SW, as there are no streets directly adjacent to the pocket park and its playground. It truly is a hidden gem.  Some of the original playground equipment is still in use and I hope the community will recognize its uniqueness and keep the retro equipment.

Lakeview's hidden playground with simple retro playground equipment - rocking horse and small metal slide. 

Parkdale's Helicopter Park is one of Calgary's most popular playgrounds. The park is looked just below Foothill's hospital and its heliport, hence the park's name as helicopters flying over area a common sight. 

Smaller Backyards / Bigger Playgrounds

I am not sure if it is true, but it seems, as private backyards get smaller, (today’s housing lots are smaller due to infilling in the inner city and mandated smaller lots in new suburbs) there are fewer large backyard swing sets that were poplar in the ‘50s and ‘60s. Or perhaps trampolines, hot tubs and the mega deck with their outdoor kitchens have replaced them.  As result: community playgrounds are becoming more important for young families and those caregivers, grandparents etc., looking after children.  Personally, I think this is great. It means more community socializing which in turn, helps create stronger neighbourhood ties.

I remember one spring day after school; we took the seven-year-old twins next door to the playground across out street. Soon, several other families joined us and before long, we had a community soccer game happening with 4 parents and 8 kids.  Gotta love an impromptu community soccer game. 

Given the recent controversy over public art in Calgary and most other cities (too often, public art is difficult for the public to appreciate, or is simply just not that good), I can’t help but wonder if maybe we should be focusing on commissioning artists to design playground equipment that would be fun and inventive. Imagine if every playground was a mini artpark.

Imagine a scaled down Wonderland (big white head sculpture at the Bow office tower) in the middle of a park where children, teens and adults could climb on it.  There is something innate about human wanting to climb things. Once when I was at the Bow, I saw an office worker climbing Wonderland in his suite and dress shoes (actually he took off his jacket) - he had no problem getting to the top. Unfortunately, the Bow now has security to chase away would be climbers.

It is interesting too how the two mega public art works in Chicago’s Millennium - Park Cloud Gate and Crown Fountain - have become as much playgrounds as public art.

Could we also encourage landscape architects to be more creative in their design of parks and public spaces?  Whenever walking Rossi (our friends’ dog) at River Park, I am always impressed by the “cluster planting” of trees that capitalizes on the subtle synergy of their sculptural shapes as well as the strategic placement of benches to capture vistas of the park, river and downtown skyline. There is an aesthetic quality to the design of the River Park that is very similar to art.  


Calgary office workers just can't resist climbing Wonderland. You can take the child out of the playground, but you can't take the play out of the man!

Jaume Plensa's Crown Fountain in Chicago's Millennium Park is a playground for locals and tourist of all ages.

Cloud Gate, also in Chicago's Millennium Park is a magnet for people to look and play with it.

This well-treed playground in Chicago'sGold Coast community attracted dozens of families mid-week, mid-day in April.

Calgary's Beltline community is one of Canada's most dense communities. It boast this very popular playground in Haultain Park.  Downtown Calgary is very family friendly. 

New playgrounds have lots of fun colourful climbing equipment that has many parallels with modern art. 

The mono-chromatic blue playground in Tuxedo also has many links to art - line, colour, shape and composition. 

The trees in River Park have a sculptural quality to them.  Overall the park with its diversity of trees, rolling landscape is

New Trends in Playground Design

Perhaps the best playground I have ever seen was in Container Park in Las Vegas.  In the middle of a new urban development made of railway containers was a fun children’s playground the size of half a football field.  At one end was a computerized piece of playground equipment that could be programmed so people of all ages could play games of their choice. At the other end was a three-storey tree house that was fun to climb.  In between were other interactive play areas – no swings, no slides and no teeter-totter here. 

Surrounding the playground were outdoor patios where people could sit and watch – providing some of the best people watching I have ever done. The new “digital” playground components have great appeal especially to adolescents and adding a new dimension to playgrounds.

 In the UK, the Dinton Pastures Country Park (335-acre park with 7 lakes, two rivers, meadows and a 1904 farm house converted to a cafe) recently opened a new Children’s Play Park that epitomizes the movement to use more natural materials as part of playground design. The park includes several nest towers, the largest 4 meters tall, zip wires, giant climbing logs, a willow maze, story-telling area, woodlands obstacle course and picnic area. Designed by landscape architects Davies White in collaboration with artists and fabricators, local materials were used as much as possible.  View Video

The newest trend in playground equipment is computerized games that are attractive to younger children and parents during the day and my young adults at night.

Young adults enjoying the Container Park playground

While these lounge chairs have been removed from East Village's Riverwalk, they would make for a good addition to another neighbourhood park as kids would love to climb over and under them and adolescents and adults would use them to lounge and chat. They also have a wonderful sculptural quality to them. 

This Henry Moore sculpture in front of the Art Gallery of Ontario becomes a fun place for older children and adolescents to hang out and chat.

Parque Gulliver

Parque Gulliver in Valencia Spain is Cristal McLean's (principal at Ground3 Landscape Architects) favourite playground. Located in the old channel of the Turia River, the playground is based on the story of Gulliver's Travels by Jonathan Swift. As per the story, a giant wanders into town and scares the tine Lilliputian people so they tied him to the ground while sleeping. Today it is the children who are the Lilliputian people who can climb all over the giant. trying to get to know him.  The sleeves become caves to explore, the legs are stairs to climb and the hair is a slide.  And its free!  First built in 1990, it was completely refurbished in 2012 and continues to be one of Valencia's biggest tourist attractions. 

Parque Gulliver aerial view

Every part of the giant is available to climb on and slide down. 

Giant ant is both public art and a playground. 

Last Word

The more I think about it, the more it makes sense to me that we should be hybridizing public art and playgrounds to create public spaces that are more interactive.  We should think long and hard before we ever commission a static public artwork again.

Similarly, I would love to see landscape architects be given freer reign to exercise their creativity in designing our parks and plazas.

Perhaps Calgary should change its current “1% of capital project costs for public art” policy to “1% of capital project costs for public space enhancement” to allow us to better create unique and active public spaces that more citizens can embrace at some level year-round for years to come.

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Kudos to CMLC for making a tough decision

By Richard White, May 8 2014

I think everyone I know was surprised to learn that Calgary Municipal Land Corporation’s (CMLC) is closing the public washrooms on Riverwalk in East Village.  Since its inception in 2007, CMLC has done an amazing job of developing and implementing an ambitious vision and master plan for the once-troubled and downtrodden East Village community.  

Throughout the East Village redevelopment, CMLC has been very transparent in the process, hosting numerous open houses before making any key decisions.   It truly has been a collaborative and cooperative community process.  While not everyone will agree with every decision (you can’t make everyone happy), there was always lots of public consultation as part of the any decision-making.

In this case, CMLC engaged a group of experts last summer to assess the perception of safety across in East Village, which included three community meetings. The recent changes in Riverwalk programming i.e. close the washroom except for events and removal of a few lounge chairs was based on dialogue with the community, police and crime prevention experts.

As a founding Board Member of the Calgary Homeless Foundation, Executive Director of the Calgary Downtown Association, an International Downtown Association Board member and now as the community strategist at Ground3 architecture, I am passionate about creating public spaces that are safe and attractive for people of all ages and backgrounds. 

This is not a homeless issue

I have been very impressed by the work of CMCL in taking risks and being ambitious with the design and programming of Riverwalk incorporating inclusivity at all times. While some see this as an affront to the homeless population and clients of the nearby Calgary Drop-In Centre, I believe their clients also want and deserve a clean and safe Riverwalk. I don’t believe this is a decision to penalize the homeless, but rather a proactive decision to deal with criminal activities taking place in the washrooms. I have a strong hunch there is “more to the story” behind why the decisions were made - I don’t think we need to know the all the ugly details. 

The decision to close the washrooms (except when an event is happening) and the replacement of the few permanent lounge chairs (there are still hundreds of places to sit along the river and pathway) after four years was a tough one for CMLC to make.  

This is one of public washrooms that have been closed except for event use.  

Riverwalk is well used by Calgarians of all ages and for a variety of activities.  Note there are lots of places to seat, the few lounge chairs that have been removed will not be missed. 

Zero Tolerance 

I am confident the Police and Bylaw Officers can and will deal with it the criminal and conduct issues in East Village. The City of Calgary has a Public Behaviour Bylaw that addresses some of the public space issues we have faced in the past.

The following are prohibited in public places:

  • Fighting
  • Defecating and urinating
  • Spitting
  • Loitering that obstructs other people
  •  Standing or placing one’s feet on tables, benches, planters or sculptures
  • Carrying a visible knife

I would like to add “loud swearing” to the list.  I know this was an issue on Stephen Avenue and Olympic Plaza in the past. Some individuals would persistently shout and swear at each other using language that would intimidate everyone within earshot (including me and I think I am very tolerant).  It was a way of a few taking ownership of a public space and keeping others away by making them feel so uncomfortable they would walk away and not return. These undesirable behaviors should not be tolerated. 

I believe a “zero tolerance” policy when it comes to violent, destructive and aggressive conduct in public spaces. No one should be made to feel uncomfortable in a public space.  Everyone needs to be held up to the same community conduct standards - rich and poor, young and old.  

My recommendation

Police and Bylaw officers should have a “zero tolerance” policy along Riverwalk this summer to ensure it is a safe place for ALL Calgarians. Enhanced policing and bylaw enforcement has worked before to make problem areas safer and I don’t see why it can’t work again.

I have no problem if CMLC wants to close the washrooms and remove a few permanent lounge chairs.  But I would hope that once the intervention has been complete they might experiment with opening the washrooms seven days a week from 9 am to 9 pm from May to September and 10 am to 3 pm from October to April. I see no need for them to be open 24-hours a day.

The addition of new condos, office buildings, restaurants, cafes, a library and museum will add lots more pedestrian traffic to East Village in the next few years. More people will make the area safer and more attractive for everyone. 

Last Word

This situation is very unfortunate, happening just as new condos are rising out of the ground, the National Music Centre is under construction and the new Library visioning is happening. The good news is the addition of more people living, working and playing in East Village over the next few years will make it safer for everyone (including the homeless) as it will mean more eyes on the streets and public spaces - something criminals shy away from.  People forget there was a time when Eau Claire was a prostitute stroll – look at it today.

Creating great urban villages is not just about managing big construction projects. It is also about getting the small operational things right.  Creating good public spaces requires ongoing management and experimentation in response to new issues and opportunities.

I believe a city is defined by the attractiveness of its public spaces as gathering places for passive activities – think Central Park in New York or Millennium Park in Chicago. Riverwalk is an award-winning public space that has attracted international attention as one of the best designed public spaces of the 21st century.

We must do all we can to make Riverwalk and all of Calgary’s parks and public spaces safe and and inviting for ALL Calgarians. I say kudos to CMLC for making a tough decision.

Riverwalk has been designed so special events can take place and yet others can enjoy a passive quiet experience near by. 

Here are the few lounge chairs that have been removed. While they are nice, they are not essential. 

This is Chicago's Millennium Park. Great public spaces have areas where people love to gather, linger, relax and chill-out.