Calgary's Bee Kingdom Red Hot Spring Studio Tour

Editor's note:

Thought I would repost this blog for the Bee Kingdom's Fall 2016 Open House November 12 and 13 at 427 22nd Ave NW from noon to 5 pm.  Everyone is welcome!
Bee Kingdom Open house


This weekend I got a chance to tour the studio of Calgary's Bee Kingdom Glass as it was their annual Christmas sale and open house.  You could get a great deal on original art by Calgary's hottest young visual artists -  everything from fun glass balls ($30) that would add some colour to any room over the winter, to fun, funky Scotch decanter and two glasses for $199.  There was something for everyone.

Everything is handmade in-house (sorry in-garage) and just to prove it the boys are giving very entertaining demos in the garage, which is actually their studio.   As a bonus, not only were they selling their work, but they are also giving demonstration on the magic they perform to make the art.  Trust me it is well worth the visit.

Personally, I love the little colourful, playful, cartoon, cherub-like figures that hang on the wall. Mine for only $450! Surprise your loved one(s) with an original work of art this Christmas. 

Coming off their successful Glenbow exhibition this past summer, the Bee Kingdom (Ryan Fairweather, Phillip Bandura and Tim Belliveau) are the young guns of Calgary’s visual arts community. 

Look out Dale Chihuly (the world’s leading glass artist) these guys are gunning for you.

For more information:

By Richard White, December 21, 2014

This is the living room picture window. How festive is this? 

You would never know that this mid-century house has been home for the Bee Kingdom for several years without the sign saying "Let's just call it beesiness?"

You would never know that this mid-century house has been home for the Bee Kingdom for several years without the sign saying "Let's just call it beesiness?"

The back deck has a table of seconds for sale. You can't have the multi-coloured one in the fore-ground - we bought it. All under $100.

Scotch decanter sets are one of their biggest sellers. For you traditionalists, not all of them have antlers.

Some hidden gems on a shelf in the garage. 

I love these little guys...

Bee Kingdom studio demo. They make it look so simple.  Don't you just love the shoes? 

A view from the back alley of shoppers milling about in the studio after the glass blowing demo.

Chihuly's lovely yellow glass sculptures amongst the plants in the Dessert Botanical Garden, in Phoenix. 

University of Calgary: Can art change anything?

On Friday, December 5th from 11:15 to 11:50 am, artist Teresa Posyniak and the Law School at the University of Calgary invite Calgarians to attend the 20th anniversary of the installation of the sculpture "Lest We Forget." 

In conjunction with the National Day of Remembrance and Action on Violence Against Women, this event will be an opportunity to collectively reflect on Posyniak's installation LEST WE FORGET which was installed at The Law School at the University of Calgary (2nd floor of the Murray Fraser Hall) twenty years ago.

Installed in 1994, it is her personal response to violence against women starting with the Montreal massacre of 14 women on December 6th, 1989.  

Guest blog by Teresa Posyniak, November 30, 2014 

Building a memorial to murdered and missing Canadian women wasn’t something I’d thought of back in 1989.  At age 38, with a six-month old daughter and 2 year old son, I had delayed motherhood to pursue an MFA and establish a career as an artist and instructor at The Alberta College of Art and Design.   

My 80’s work, The Sanctuary installations - large, contemplative, full of metaphors relating to vulnerability and resiliency - never overtly reflected my social activism.  All that changed after the Montreal massacre of 14 women on December 6th, 1989 at L’ Ecole Polytechnique.  This tragic event and concern for my kids’ future pushed me to make a strong art statement about violence against women. 

Would my daughter Kaia ever be safe, even at university?  Would my son, Nick, grow up to be like his father, Clarence Hookenson - considerate and respectful of women? 

As I began exploring ideas about violence against women through drawings and paintings, I thought of my own experiences – of being sexually assaulted, of helping out girlfriends who’d been attacked, of growing up around an aunt, mother of 5, who lived in terror of my uncle’s rages, and of sexual harassment which nearly derailed my graduate studies at the University of Calgary.

Can art be a vehicle for social change? 

I was at a loss how to express these hopes and fears through art.  While I admired some political art of the past, I was also aware that socially engaged art sometimes sacrifices aesthetics for the big message or conversely, leaves the viewer bewildered, unaware of the artist’s ideas.  And there’s the big question, can art ever be a vehicle for social change?  

My inspiration came in early 1991 when I read a “femicide” list of murdered women compiled by Mary Billy of B.C. in This Magazine (formerly called This Magazine is about Schools).  I was fascinated by Ms. Billy’s idea that rather than focussing on the names of the men who murder women, we should instead remember the female victims’names, “make their deaths count for something”. 

With that in mind, I designed and built a sculpture upon which I wrote each woman’s name and age of death, adding more as they sadly appeared regularly in the local media.  After the names of the Montreal 14, I pointedly added those of nine local aboriginal sex trade workers (not identified as aboriginal on the sculpture) whose murderer(s) had not yet been found.  I felt strongly that not enough attention was focussed on investigating these unsolved murders. 

Was it because they were First Nations or Metis?  They were someone’s daughter, mother, aunt, sister or friend as well!  These questions continue to rage today.      

LEST WE FORGET - name side detail 1.jpg
Lest We Forget unfinished side

I was unprepared 

Lest We Forget, constructed with paper, wood, styrofoam, paint and leaves – all easily destructible materials- was never intended to be a public sculpture.  During its first exhibition, curated by Muttart Gallery  director Richard White in 1992, it attracted the attention of University of Calgary law school alumni Judy Maclachlan who felt that this sculpture, if placed in the Law School (then under construction), would serve as a reminder to lawyers and lawmaker of their responsibilities. 

Once Dean Sheilah Martin secured approval for the sculpture’s placement in the building’s airy main foyer across from the Law Library, the need for the protection of a glass and steel case posed another hurdle. 

Lest We Forget made it past the proposal stage due to the generosity of Bahaa and Emily Faltous of Moli Industries who designed, built and installed the protective case at a significant discount.  Fundraisers paid for the materials.  

Helen Zenith of Newzones Gallery of Contemporary Art (my representation at the time) convinced the The Alberta Foundation for the Arts to buy Lest We Forget and permanently loan it to the Law School.  It took almost two years and the efforts of many to see this project to its conclusion.    

I was unprepared for the depth of emotion and the exposure to the victims’ families’ trauma.  Some called me to tell me about the tragic deaths of their loved ones.  I added names to the sculpture when requested, even responding to a Calgary Sun reporter’s request to include the name of a mother of five who was randomly murdered in Pincher Creek while minding the family store alone.  

Before its installation, Suzanne LaPlante Edward, the mother of Anne-Marie Edward - one of the Montreal 14 - visited my studio while on a cross country tour to promote gun control.  I also received a visit from the extended family of an aboriginal woman murdered while working in the sex trade.  They brought the woman’s 18-month old son to see the sculpture and took his picture next to his mother’s name.  Ten years later, he left a rose and a card at the base of the memorial after the annual December 6th vigil. 

Lest We Forget

Sign of Hope 

I’ve always believed in the power of art.  Did Lest We Forget change anything? Did it increase anyone’s awareness?  I’m not sure. 

Twenty years after its installation, we will formally gather again to remember the women and to talk about ways we’ve moved forward and what needs to be done. 

To me, that’s a sign of hope.

If you like this blog, you might like: 

Calgary: Military Museums

Public Art vs Street Art: Calgary, Florence, Rome

After six weeks of recently wandering the streets of Dublin, Florence and Rome, I was puzzled by the lack of new public art (approved by a public process), appalled by the abundance of graffiti and intrigued by the street art (no public approval).

There was really only one piece of what looked like new public art that caught my eye. It was in Rome, in the tiny off-the-beaten path Vicolo dell’Oro square. The piece “Personal/NonPersonal” by Simone D’Auria was commissioned by the Gallery Hotel Art which is located next to the square. A very ambitious piece that encompasses the entire square, it has 18 ghost-like man/animal figures strategically placed from the earth to sky, including several figures climbing the side of the building. 

The artwork represents an imaginary world populated by white creatures with a human body and the head of an animal. The inspiration has its roots in the past of those great men who have made the city of Florence and its history and who repesented themselves through emblems depicting the head of an animal followed by a motto that extolled the value and virtue of action. Some examples? The turtle with a sail for Cosimo I,  symbol of prudence combined with the power of action; a rhino for Alessando de Medici to symbolize his strength and strong will; a weasel by Francis I, the symbol of cunning.

"Today, in my work, those animals and the meanings they carry with them become faces of men and women, ironic caricatures in which they can identify themselves, visible expression of their deepest inner values; portraits, in fact," says D'Auria. The circus-like animation is a welcome relief in a city dominated by somber ruins of past cultures and statues of people long passed away.  It was definitely a refreshing and welcomed surprise.

I can’t help but think that an artwork like this would be a good addition to downtown Calgary.  It would be very appropriate for a space between the many two-tower office blocks or for the alley space between the towers of the Hotel Le Germain project on 9th Avenue SW. 

climbing the wall
flying figures
seated figures

Florence Street Art

While Calgary invests millions of public and private dollars into public art, in Florence and Rome, temporary free street art seems to be the rage.  Very soon after arriving in Florence, I started to notice the appearance of faceless, simple cartoon-like stick figures with balloons and words like “exit, freedom and resistance”.  For me, it soon became a fun game of spotting the next piece. And they were all over the place!

Later, I found out by googling that the no-name artist was from Pisa, Italy a hot bed for street art. The title of the project is “Exit/Enter” with the purpose being to tickle the imagination of street spectators, to be a catalyst for a smile or a smirk and maybe even be a bit thought-provoking as one tries to understand the ongoing narrative.  I thought the title was very appropriate as the streets and alleys of Florence are full of doorways and corners where people are always entering or exiting. 


While walking around Florence’s San Niccolo district we discovered a t-shirt shop with some very interesting street-sign decals so we popped in.  We quickly learned that they were the work of CLET, a very well-known, European street artist who has his studio in the area at Via Dell’Olono 8r. CLET cleverly alters road signs around cities with removable stickers. Seems the local authorities tolerate the work, which again adds humour to an urban landscape polluted with street signage.  Once, we knew about CLET we started to find the altered street signs everywhere. 

This is the entrance to CLET studio. The Fish sign is CLET's, the hear and stick figure is from the "Exit/Enter" project and the blue piece is by Blurb another street artist (see below) and butterflies by another artist. I am not sure who did the guns or the black figure with paint roller. 

This is the entrance to CLET studio. The Fish sign is CLET's, the hear and stick figure is from the "Exit/Enter" project and the blue piece is by Blurb another street artist (see below) and butterflies by another artist. I am not sure who did the guns or the black figure with paint roller. 

close up

blind corner

Exit/Enter Project

resistance 2
Exit bike
woman and child
fly away


A third street artist, Blurb, takes on major masterpieces of art and dresses them up in scuba gear.  The title of the project is “Art knows how to swim” and while I have no idea was the meaning is, they too added an element of fun to serious works of art like Leonardo da Vinci’s Mona Lisa and Michelangelo’s David.   Many of the works on paper are ripped and faded to the point where they blend right in with the urban patina of the city. 

mona lisa
red hat

Rome Street Art 

In Rome, we didn’t find any new public art or graffiti street art like Florence (though we did find a few Exit/Enter pieces). However, in the graffiti-filled streets of the San Lorenzo district near the university, we found the motherlode of street art. 

Along the retaining wall of a playing field in an elevated park are two block-long linear art galleries with works by various artists intertwined to create a powerful statement about the area’s sense of place. 

These are not the refined, pretty, decorative street art works you see in some cities, but rather the evolution of graffiti and tagging into expressionist paintings full of social and political protests.  In some places, it was hard to tell where the graffiti ended and the street art began.

A typical streetscape in San Lorenzo.

A typical streetscape in San Lorenzo.

One side of the street art wall.

One side of the street art wall.

Detail from art wall

Detail from art wall

Detail from art wall

Detail from art wall

The second side of street art wall is devoted to the work of one artist.

The second side of street art wall is devoted to the work of one artist.

Street art on the security doors of a shop.

Street art on the security doors of a shop.



Need food not football?

Need food not football?

Calgary Street Art

Earlier this year, Calgary experimented with some street art on the retaining walls of the busy pedestrian (4th and 14th Street SW) underpasses connecting 9th and 10th Avenues.  And although in most cities street art is painted without permission on public and private walls and is permanent, most of Calgary’s street art is approved and temporary.

For example, this past May, as part of the Beakerhead, program Michael Mateyko and Hans Theiseen (also known as Komboh) created a pair of 27-foot long murals on 4th Street and 12-foot murals on 14th Street. Eco-chalk graffiti, an environmentally-friendly product that can be easily removed was used.  The murals consisted of several cartoon robot-like figures that mimicked people walking to work. 

The spontaneity, surprise and fun-ness of the artwork that appeared overnight was dampened by a large text informing everyone, “This temporary public artwork is created with eco-calk and application and removal process approved by the City of Calgary.”

As well, in East Village, Calgary Municipal Land Corporation organized two interesting temporary street art projects. The first “I am the River” by Derek Besant and the current “The Field Manual: A compendium of local influence” by Calgary’s Light & Soul Collective, both using the new RiverWalk’s bridge abutments, storage sheds and robo-bathrooms as their canvas.  


4th Street Mural from the other side of the underpass.

4th Street Mural from the other side of the underpass.

The 4th Street mural pedestrian perspective.

The 4th Street mural pedestrian perspective.

Example of one of the fun and clever cartoon characters.  

Example of one of the fun and clever cartoon characters. 

Love this cartoon of a woman walking with her briefcase and plugged in to the sky aka icloud.

Love this cartoon of a woman walking with her briefcase and plugged in to the sky aka icloud.

Somehow I felt this signage took some of the fun and spontaneity out of the work.

Somehow I felt this signage took some of the fun and spontaneity out of the work.

Last Word 

One has to wonder if Calgary and other cities would be better served by encouraging more temporary street art, both approved and unapproved, than expensive permanent public art works.  Not only is street art cheaper, it doesn’t have any maintenance costs and if the public doesn’t like it, well, it will literally disappear in a few months or years.

Found the juxtaposition of the bike and the skeleton figure quite provocative. 

Found the juxtaposition of the bike and the skeleton figure quite provocative. 

Fort Calgary: Our sacred ground

While everyone’s attention in the East Village mega makeover is focused on the new library ($245M), the National Music Centre ($135M) and the St Patrick’s Island revitalization and bridge ($70M), Fort Calgary’s makeover has been “flying under the radar.”  

Perhaps you’ve noticed the red cubes along the River Walk or the red glass sentinels recently installed at the corner of 9th Ave and 6th St SE wondering what these are.  Maybe you noticed Buffy the buffalo on a little manmade hill on 9th Ave just west of the Elbow River and wondered how it got there.  It is all part of a devious $36.3 million master plan that started with the Spring Creek wetlands at the northwest edge of the site back in 2009.

With the help of Calgary Municipal Land Corporation, the City, Province, Federal Government and the community, Fort Calgary has been quietly raising funds to enhance the site of Calgary’s birthplace, respecting the past but preparing it for the future when 40,000 people will be living in the communities surrounding it (currently about 15,000).

What we have been seeing lately is the Edges, project, which marks the edges of the original Fort Calgary site, west of the Elbow River. Note: The land east of the Elbow River (Deane House and Hunt House) wasn’t added until 1976.  The red cubes along the Bow River mark the north edge, of the original site, the long red benches along 6th Street mark the western edge and along with the sentinels at the corner of 9th Avenue, they demarcate the entrance to the site from its southwest. They all have a very distinctive bright red colour – “RCMP red” in fact. The red markers are all equipped with LED lighting, creating an eerie site at night which I am told can be seen from airplanes preparing to land at the Calgary International Airport. I love the horizontal ones along 6th Street - at night they have a surreal glow like a campfire. 

Story board columns

The Fort Calgary site is also sacred to the First Nations people as it was a summer gathering place.

Fly fisherman at the confluence of the Elbow and Bow Rivers near the northeast edge of Fort Calgary.

Fort Calgary site with log buildings and replica Barracks in the distance.

New entrance to Fort Calgary from the southwest with LED sentinels and benches.

The Barracks building.

Fort Calgary 101

Did you know that Fort Calgary is a National Historic District? I didn’t! In fact it was one of the first National Historic Districts created by the Federal Government in 1925. It received this designation for two reasons - the important role the site played in the evolution of the RCMP and the fact it is the birthplace of a city. Not many Canadian cities can lay claim to knowing exactly where its birthplace is.

Fort Calgary is unique in that it was never a defence fort; the walls were not created for protection (there was never a battle here), but to define the settlement acting as a landmark so new settlers and First Nation people could see it from a distance.  

In 1914 the site was decommissioned as a Fort and sold to Grand Trunk Pacific Railway who had plans to build a railway line to Prince Rupert that followed the route of the proposed Enbridge Gateway pipeline.  After, Grand Trunk went bankrupt, the site became Calgary’s first industrial warehouse district, home to businesses like MacCosham’s huge warehouse, Calgary Scrap Metal, a battery factory and a slaughterhouse.

After 10 years of lobbying by Calgarian John Ayre, and on the Centennial of the arrival of the RCMP in 1875, the site was purchased by the City for $1.8 million in 1975. All the buildings were removed and the contaminated site was cleaned up.

Then started the slow process of deciding what to do with the site.  It wasn’t until 2000 when Sara-Jane Gruetzner was hired as the President & CEO of Fort Calgary that a Master Plan was finalized.  She has stayed on to make sure that it gets implemented. Though the master plan didn’t call of an exact historical recreation of the buildings on the site, it does call for a mix of new buildings and monuments that will tell the story of Calgary’s birthplace.

Monument to Colonel Macleod.

Monument to Colonel Macleod.

Colonel Macleod historical plaque.

Current Work

Work is currently being completed on the land on the east side of the Elbow River with the restoration of the Deane House, built in1914 for Captain Deane, whose wife wouldn’t live in the Fort and demanded he build her a house next to the Fort.   Also under restoration is the Hunt House (built sometime between 1876 and 1881), the only original Hudson Bay post in its original location. A replica of the original Deane House garden is also to be created as Deane was good friends with William Reader (Calgary’s first Parks Superintendent) who believed you could garden on the prairie. It is believe that the Dean/Reader garden is where the Calgary Horticultural Society was established.

Recently completed is the Elbow River Traverse ($3M), which crosses the Elbow River just before it empties into the Bow River.  It creates an important link in the City’s Elbow and Bow River pathways, which are only going to get busier with more people living in the surrounding area and the new ENMAX Park just south of 9th Avenue along the Elbow River.

Future work includes a major glass gallery addition to the second floor of the current Fort Calgary Interpretive center. The gallery will be designed by Calgary architect Lorne Simpson (who specializes in historical restorations) and DIALOG (Calgary architectural firm working on new Central Library) will offer a spectacular 360 degree view of downtown, CPR rail yards, Stampede Park and the confluence of the Bow and Elbow Rivers.

There are also plans for a carved wood interpretive feature on the site of the old fort by Vancouver artist Jill Anholt. The piece will allude to the structure of the old fort, while also referencing the layers of cultural memories of people and place in a clever and creative manner.

Elbow River Traverse aka bridge for cyclists and pedestrians.

Bow River promenade at Fort Calgary with the new St. Patrick's Island bridge in the background.  This will become a very busy area with the densification of the surrounding residential neighbourhoods.

The area around the Traverse is already becoming a popular meeting place.

Major Event Venue

While for most of the year, Fort Calgary perceived by many as a rather sleepy place it has evolved into a major concert venue. Annual events included the two Rotarian concerts during Stampede, while Chasing Summer and X Fest; each of these events attract over 15,000+ attendees. 

There are also a number of free events like WinterFest, Family Day, Heritage Day, Mountie Day (May long weekend to celebrate the anniversary of the formation of the RCMP in May 23, 1873) and of course Canada Day when 20,000 Calgarians invade the site for family fun activities.

Fort Calgary is also where the Calgary Stampede marshals the horses for the Stampede Parade.  I am told it is an amazing spectacle with 300 horses and floats calling Fort Calgary home for a night.  The public is invited to come down on the Thursday night and join in the fun with a free BBQ. Who knew there was a second “Sneak A Peak” event!

As far as hosting major events in our city, Fort Calgary is on par with Prince’s Island, Olympic Plaza and Shaw Millennium Park.

Last Word

In the words, of CEO President Sara-Jane Gruetzner “Fort Calgary is an old story with a new beginning; this is Calgary’s hallowed ground.”


By Richard White, October 25, 2014

An edited version of this blog appeared in the Calgary Herald, titled "Fort Calgary makeover, respects the past, prepares for East Village's future," October, 24, 2014. 

Artist Jill Anholt's modern interpretation of Fort Calgary's original walls.  

Dublin: Iconic barracks makes for great museum

The National Museum of Ireland - Decorative Arts and History is located in the massive Collins Barracks built in 1702.  Architect Tomas Burgh, who also built the world famous library at Trinity College, designed this early neo-classical building. 

It makes for a perfect museum.  The four floors wrapping around a huge central parade square (the number of paces associated with the marching soldiers still exist on the walls above the colonnade arches) are easily divided up into over 30-flexible gallery spaces that accommodate exhibitions of silver, ceramics, glassware, weaponry, furniture, folklife, clothing, jewelry, coins and medals.  There is also a museum shop and quaint café with some very tempting pastries.

One of the many fascinating fashion exhibits. 

One of the many fascinating fashion exhibits. 

This hurdy-gurdy instrument is just one of the many exhibits of historical decorative arts and crafts in the museum.

This hurdy-gurdy instrument is just one of the many exhibits of historical decorative arts and crafts in the museum.

hurdy gurdy panel

Eileen Gray

For us, the highlight of the museum's numerous exhibitions was the Eileen Gray retrospective. It encompassed everything we love about mid-century modern design – its furniture, architecture and art.

Born in Enniscorthy, Ireland in 1878, Gray moved to Paris in 1906 where she spent most of her working life. In Paris, inspired to explore new ideas by the likes of Picasso and Modigliani, she was one of the first artists and furniture designers to employ lacquer techniques as part of her work.  She was interested in all aspects of design from furniture to architecture to interior design.

Gray loved to combine the opulence of Art Deco with the minimalism and clean lines of modernism as well as integrate the use of pure line and colour of the De Stijl artists.

Gray's iconic end table named E1027.

Gray's iconic end table named E1027.

An example of Gray's use of lacquer in her furniture.

Model of contemporary architectural designed by Gray.


I was also fascinated by the “Beyond Pebbledash” installation, a celebration of domestic architecture and design.  The installation consisted of a single pebbledash house (a common small Dublin home with exterior walls made of pebbles mixed with stucco).  In the mid 20th century, this façade covered up poor construction and kept costs down for affordable homes in both Europe and North America. Back story: The early 1950s home I grew up in had pebbledash walls.  We just called it by it less glamorous term "stucco."

This life-size house sitting in the middle of the huge parade square has a real façade but only a steel skeleton frame of the walls, interior doors, chimney and roof.  The curatorial notes say the installation is intended to provoke questions like:

  • What have we built?
  • Why have we built it here?
  • What is the nature of house vs. home?
  • What makes a great liveable city?

More information at:

My personal fascination was mostly around how the pebbledash house was rendered almost insignificant in the massive parade square  (the size of about two football fields) and the equally massive barracks building.  To me, the “pebbledash home” installation spoke of the insignificance and temporary nature of most houses versus the timelessness of iconic structures. I also don’t get the link to the liveable city movement as the home is situated in what I would consider the most desolate and inhospitable urban environment one could imagine.

While in the past, a house became a home as most people lived in them all their lives. Often too multiple generations would live in the same house. Today, for most people a house is just a commodity to be bought and sold as part of their evolving lifestyle – they never really become a home.

The pebbledash house located at the far corner from the entrance to the museum is dwarfed in the stark parade square.

While wandering the museum, you get several different perspectives of the house. 

A view of the back of the house and the cafe spilling out onto the plaza gives some life to the parade square.

Close up view of the house. I found the ropes around the installation very distracting. 

Side-view of the pebbledash house.

Side-view of the pebbledash house.

Last Word

Of all the National Museums we visited in Dublin, the Decorative Arts and History Museum was our favourite.  You could easily spend a few hours here.

The National Gallery unfortunately was under restoration and so the building and art did not meet expectations. The National Museum of Modern Art was also a bit of a disappointment as half of the gallery was closed for the installation of new exhibitions. 

On the good side, all of the Ireland’s national museums are FREE!  


If you like this blog, you might like:

Saks: Department Store or Art Gallery?

The dirt on the museum of clean

Flaneuring Bow Valley College/Art Gallery


Window licking along Florence's Via Tornabuoni

One of the things I love to do when flanuering any downtown is take pictures of the reflections of buildings and people in the windows of the fashion boutique.  This works particularly well in cities where there is a strong fashion culture as the fashion boutique window are often like mini art exhibitions. In Florence, the Via de' Tornabuoni is the high street for fashions with the likes of Gucci, Salvatore Ferrogamo, Tiffany's, Enrico Coveri, Damiani, Bulgari and Buccalllati calling it home.

When Brenda said she wanted to go to the Salvatore Ferrogamo Museum, I secretly said "Yahoo" as it meant I would have some time to do some window licking on Via de' Tornabuoni.

Back story

The literal English translation of the french term for window shopping is "window licking," which I have adopted for my practice of window photography as I am often so close to the window that it looks like I could be licking it.

Window licking on Tornabuoni 

I have chosen these images as I feel they convey the diversity of visual imagery along Tornabuoni.  I have also chosen not to provide captions as I would prefer the reader to study each image without my influence.  I hope you will enjoy them as much as I did taking them and studying them afterwards. 


I have tried window licking in my hometown Calgary many times, but I never seem to get the same quality of images. I don't know if it is the light, the lack of quality fashion windows or just my poor luck. 

Almost everyday, I like to take some time to look at and reflect on my travel photos. The ones I seem to gravitate to the most art the "window licking" ones. I'd love to hear from you which one was your favourite and why?

If you like this blog, you might like:

Window licking in Paris

Window licking in Chicago 

Lyon sidewalk ballet

Dublin's Chester Beatty Library - Look but don't touch!

Can you imagine a library where you can’t touch the  books? The Chester Beatty Library in Dublin, Ireland might just be the only library in the world where you can’t touch any of the books.  But don’t let that stop you from visiting. It is home to an amazing collection of books and book-related artifacts that will have your head exploding with information overload.

About Chester 

Sir Alfred Chester Beatty was an Irish-American mining magnate and millionaire. Born in New York City in 1875, he graduated from Columbia University as a mining engineer. He made his fortune mining in Cripple CreekColorado, and other mining operations around the world. Chester was  called the "King of Copper"

A collector from an early age beginning with stamps, he had, by the 1940s, built up a remarkable and impressive collection of Oriental art and books. He also owned 19 ancient Egyptian papyri that he gave to the British Museum. He moved his collections to Dublin, Ireland in 1950. 

Knighted  by Queen Elizabeth II in 1954, Beatty lived his later years in Dublin and was made honorary citizen of Ireland in 1957.  On his death in 1968, he was accorded a state funeral by the Irish government – one of the few private citizens in Irish history to receive such an honour. He is buried in Glasnevin Cemetery in Dublin.

Beatty saw collecting as “a great adventure." He obviously had a great eye for quality and loved books where the text and images formed a pleasing composition.  Fun back story: he could be considered an  early adopter of twitter acronyms using DCI for “don’t care for it” and NFE for “not fine enough” in correspondence and his own records.

Sir Alfred Chester Beatty (photo credit:

Sir Alfred Chester Beatty (photo credit:

No Touch Library

The Chester Beatty Library is really an art gallery where all the books are in well-lit display cases with  interesting didactic information and stories.  The depth and breath of the collection truly is mind-boggling. It doesn’t take long before your brain is saying “no more, no more!”

Perhaps the first hint that we were in for a brain freeze were the Chinese jade books at the beginning of the Art of Books exhibition; neither of us had seen anything like them. From there, we were presented the Great Encyclopedia commissioned by the Ming Dynasty emperor Yongle in 1403 and completed in 1408 – all 11,095 bound volumes.  Incredible!

Later we encountered Joan Blaeu’s Great Atlas of 1162, which consists of 600 beautifully bound, hand-coloured maps. Each of the bound volumes is about  20” high x 11” wide x 3” in depth; these are serious books.

There was even a small display of contemporary Chinese Ceramics that was definitely rooted in the 8,000 years of ceramic history in China.  Not sure how this fit in with the books but it was interesting nonetheless.

Jade books (photo credit::

Jade books (photo credit::

Yongle Great Encyclopedia (photo credit:

Yongle Great Encyclopedia (photo credit:

Joan Blaeu's Atlas (photo credit:

Joan Blaeu's Atlas (photo credit:


The collection included a series of Goya etchings from the 1892 edition of Los Desastier de la Guerra and the 1855 and 1876 editions of La Tauromaquia and Los Proverbois.  The pain and suffering portrayed in these works still haunts me hours later as I write this. It made me realize I have never really suffered in my life. 

Back story: when you visit a place like Ireland, you realize what human suffering is all about given  the millions who died in the famine between 1845 and 1852, or those who died in the numerous independence rebellions and senseless religious bombings.  This is a country whose people know suffering.

Later in another exhibition “Sacred Traditions” (the history of religions around the world), I found a didactic panel about Siddhartha Gautama (563 – 483 BC) with the text “be aware of the human inability to escape suffering.” We are then told Gautama decided to leave his wealthy home to seek the causes of unhappiness and the way to relieve suffering.  Unfortunately, we didn’t find out if he was successful.

Another panel about Buddha states, “the world is a place of suffering…joys are fleeting…life ends in decay.”  

Goya, Los Desastier de la Guerra  (photo credit:

Goya, Los Desastier de la Guerra  (photo credit:

Last Word

The Chester Beatty Library is a “must-see” for anyone visiting Dublin.  I would suggest you give yourself at least two hours and probably three to explore the art and text.  There is a great cafe on site so you could take a break and have lunch or a coffee and then go back for more.

There is also a tranquil rooftop garden if you wish to take some time to contemplate and absorb the centuries of history.  Outside the Library is a larger green space with a fun narrow brick pathway, as well as a sculpture garden.  

The biggest negative is that you can’t take photos (you can view photos on the Library's website); on the other hand, admission is free. 


Dublin: FAB fun in The Liberties

On some of the Dublin tourist maps you will see a large pink area titled "The Liberties / Antique Shop Quarter," but there is no information on where the shops are within the quarter.  The Dublin shopping map doesn't have any information about shopping in the area either.  But with a little digging, we found out that there are a dozen or so antique and vintage shops along Frances Street and just a block away on Meath, is the Liberty Market (Thursday to Saturday). 

The name ( Liberties) is derived from jurisdictions dating from the arrival of the Anglo-Normans in the 12th century. They were town lands that were part of the City of Dublin, but still preserving their own jurisdiction.  Hence, "liberties." The most important of these liberties were the Liberty of St. Sepulchre, under the Archbishop of Dublin, and the Liberty of Thomas Court and Donore belonging to the Abbey of St. Thomas (later called the Earl of Meath's Liberty) - hence Meath and Thomas streets. The current Liberties quarter's  boundaries are between the river Liffey to the north, St. Patrick's Cathedral to the east, Warrenmount to the south and St. James's Hospital to the west.

We decided to check out The Liberties district on a sunny Saturday afternoon in October and had a FAB time.  Starting at the north end of Francis Street, we were surprised to find a large surface parking lot tucked away behind a building that was full of graffiti art reminding us of Boise, Idaho's popular tourist attraction - Freak Alley. 

Just one of a dozen or more graffiti murals at the north entrance to Dublin's Antique Row.

Just one of a dozen or more graffiti murals at the north entrance to Dublin's Antique Row.

Dublin's Antique Row

Walking just a bit further, we arrived at Dublin's  Antique Row beginning with O'Sullivan's Antiques - look for the building with the piano hanging off the side of the building.  This is the spot for serious antique collectors and the staff are very friendly and knowledgeable.  We  were surprised and impressed with the collection of 1950s whale bone vertebrae. 

A few doors down is Michael Mortell's impressive store of unique mid-century modern furniture and accessories. As you proceed down the block, proceed down  the block to discover more antique stores, second hand stores, a gallery and even a larger Oxfam Charity shop (what we call thrift stores).  We definitely enjoyed our stroll. 

At the end of Francis Street,  turn left and you are at St. Patrick's Cathedral. The afternoon sun provided us with a wonderful sun-drenched perspective.  We stopped for lunch at the tiny Cathedral Cafe with its six tables.  It was a busy place, the owner cooking and serving up the tasty meals - we were exhausted just watching her.

O'Sullivan's Antiques with funky delivery men climbing the wall with the dangling piano. 

O'Sullivan's Antiques with funky delivery men climbing the wall with the dangling piano. 

Inside Michael Mortell's exquisite mid-century modern boutique.

The antiques spill out onto the street. 

The antiques spill out onto the street. 

Cat Meow was full of shoppers searching for vintage fashion finds. 

Anonymous vintage / retro store is a must see.

Indeed we had a FAB time on Francis Street.

Meath Street Madness

Watered and fed, we were ready to tackle Meath Street, which we were told by one local is a bit gritty or in his terms "Dublin unpolished."  We turned the corner and were immediately hit by a wave of people and cars -  the street was like Costco at Christmas.  I think this is what Jane Jacobs (urban living '60s guru) was talking about when she coined the phrase sidewalk ballet. However, in this case it was a "street ballet" with cars, teens, seniors, couples, families and the odd horse sharing both the street and sidewalk space. 

In addition to the eclectic shops, bakeries, groceries and butchers was the Liberty Market with its cheesy flea market stalls selling everything from lamp shades to purses. It was urban chaos at its best. We loved mingling with the locals. 

There is also the historic St. Catherine's Church mid-block with the secret Our Lady of Immaculate Conception grotto at the back which we discovered by accident.  It is a wonderful place for a little solitude and reflection.  Here met Debbie, who comes often to light a candle and say a pray for her recently deceased husband. 

Just a block away, locals of all ages were shopping up a storm on Meath Street.

Just a block away, locals of all ages were shopping up a storm on Meath Street.

Liberty Market purse vendor's wares.

Somebody found some good deals.

Somebody found some good deals.

Our Lady of Immaculate conception grotto.

Horse History 

Once we got to the top of Meath Street at Thomas Street, we headed east (left) to find a pub. Just by chance, I looked up an alley (I like to do that) and saw a horse.  Curious, we wandered up the alley and got chatting with an older gent who, with his young sidekick, who were cleaning up. Happy to share the alley's history, he told us it has been home to stables for over 300 years. At present, the stables house 30 horses for the City Centre's horse-drawn buggies.  You won't find this on any tourist map.

Horse alley where horses and people have shared the space for over 300 years.

Little did we know this same two-year old male horse was a bit of a media celebrity for his unexpected visit to a local horse race betting establishment. 

Little did we know this same two-year old male horse was a bit of a media celebrity for his unexpected visit to a local horse race betting establishment. 

Last Word

We had a FAB Saturday afternoon hanging with the locals,  just a few blocks away from the hoards of tourists that invade Dublin's City Centre everyday. 

If you like this blog, you might like:

Freakn Fun at Boise's Freak Alley

Melrose: Phoenix's Emerging Vintage District

Ramsay: Calgary's FFQ Industrial District


Calgary: Beautifying The Beltline

Over the past five years, the City of Calgary and the Beltline Community Association have strategically and successfully developed and implemented plans to beautify Calgary’s most densely populated community. The Beltline has 6,963 residents per square kilometer, while Calgary’s overall density is 1,329 with communities like Hillhurst/Sunnyside and Aspen Woods 3,207 and 1,676 per square kilometer respectfully.   The City’s and the Beltline community’s goal is to foster its growth from the current 20,000 urbanites to 40,000 by 2035.  Both groups realize to fulfill this vision the Beltline must have great public spaces that attract people of all ages and backgrounds.

Memorial Park 

The first beautification project was the $11 million, renovation of Memorial Park, Calgary’s oldest park (1912) transforming it from a 20th century to 21st century public space. Completed in 2010, the renos included the addition of new pathways, seating, fountains, flower plantings and washrooms.   It is now the signature public space for Beltliners who want to sit and relax in the shadows and glitter of the downtown skyline. The addition of the Boxwood restaurant and patio was a stroke of genius as it adds an entirely new dimension to the park experience. 

Developers built upon the Memorial Park revitalization project with two new condo projects – The Park (an 18-storey, 156 unit condo by Lake Placid Group of Companies, now mid-construction) and Park Point, a 34/27-storey, 502 unit condo by Landmark Qualex just beginning construction).

Playing in the water in Memorial Park.

Relaxing in Memorial Park.

Enjoying the patio at Boxwood restaurant.

Enjoying the patio at Boxwood restaurant.

13th Ave Greenway 

The next beautification project is the 13th Avenue Heritage Greenway, which will eventually create an enhanced pedestrian and cycling experience from Macleod Trail to 17th Street SW.  The Greenway will create a multi-use path, as well as a traditional sidewalk on the north side of the road, separated from each other and the road by a row of trees. Phase One from Macleod Trail to 4th Street is now open and when completed, the Greenway will create four character areas – Sunalta, Victoria Crossing, Connaught and West Connaught.  It will also connect several heritage sites along 13th Avenue including Haultain School (1894), Central Memorial Park/Library (1912), First Baptist Church (1912), Lougheed House / Beaulieu Gardens (1891), Ranchman’s Club (1914) and Calgary Collegiate Institute School (1908).

Enhanced sidewalks, new trees and grasses along the 200 block of 13th Avenue. 

13th Avenue streetscape at Barb Scott Park.

Barb Scott Park

Next up was the Barb Scott Park (named after the late Barb Scott, City of Calgary Councilor from 1971 to 1995 and parks champion) on the west side of the new Calgary Board of Education headquarters (9th Street from 12th to 13th Avenues). Opened in May 2014, this public space includes a large oval grass area that allows for impromptu kicking and throwing games like soccer, Frisbee and football.  The park is anchored by the popular “Chinook Arch” public art work at the corner of 9th Street and 12th Avenue SW. 

 Like Memorial Park, the new Barb Scott Park has also been a catalyst for new condo development, including the colourful Aura I and II towers by Intergulf-Cidex directly across the street.

New seating and playing field on the west side of the new CBE building. 

Chinook Arc on the northwest corner of Barb Scott Park.

Future Projects

The pace of the Beltline beautification program is accelerating. There are currently three projects at various stages of development – Enoch Park on Macleod Trail between 11th and 12th Avenues is under construction, the ENMAX Park on the Elbow River (part of the Stampede’s mega makeover) is in its final stages of design, as is the lawn bowling park on 11th Street at 16th Avenue SW.

Enoch Park

Enoch Park (City website is still calling it new East Victoria park) gets its name from the Enoch House that will be moved a few meters east into the Park allowing its former location to make way for a Canada’s first ClubSport Hotel by Marriot International. The 1905 Queen Anne home one of the few stately homes still standing in Victoria Park and built by clothing entrepreneur Enoch Sales, has seen better days. But as part of the development of a new park on Macleod St between 11th and 12th Avenues it will be restored and transformed into a restaurant – think Boxwood or River Café. 

The park will be more like a plaza with lots of linear, canopied tree plantings, informal lawn areas, criss-crossing pathways with the lots of seating – some fixed along walls and some café style with tables and moveable chairs allowing for great views of the ever-changing downtown and Beltline skyline.  This park is scheduled for completion I expect by summer of 2015 (City of Calgary website says fall of 2014).

Enoch Park under construction.

Enoch Park under construction.

Plans for Enoch Park.

Enoch House.

ENMAX Park @ Stampede

The Stampede’s Master Plan has long called for the creation of a 30-acre park along the Elbow River in the northeast quadrant of the grounds from the railway bridge to right behind the Saddledome.  Recently, ENMAX stepped forward as the naming sponsor for the park, which will be home for the new Indian Village during Stampede.  During the rest of the year, the park will be open to the public and consist of two large green spaces for both passive and programmed activities, including small festivals and events.  There will also be a Western Heritage Trail, an open-air museum with sculptures and self-guided history panels creating a walk through time.  The park will be synergistic with the Stampede’s plans for a vibrant Youth Campus on the west side of the Elbow River.

ENMAX Park showing enhanced park space including new Indian Village site.

Stampede is converting this parking lot into a park.

16th & 11th Park

The lawn bowling park in the southwest corner of the Beltline at 16th Avenue and 11th St SW is still in the final design stage.  We do know that the lawn bowling facility will be moving and this will allow for a number of possible uses.  An extensive community consultation process has generated copious ideas (exhibition space, skating rink, flexible seating, season vendors, urban pond, picnic area, orchard, game space and community garden) on how to make this a year-round public space.  This new park could be the catalyst for the revitalization of 11th Street SW, a street with all the ingredients to become a micro-retail/restaurant hub for those living on the west side of the Beltline.

Already with a Good Earth Café, Galaxie Diner and Kalamata Grocery store, it’s got a great foundation.

Ideas for revitalizing the park.

Clustering and organizing ideas.

Developing ideas into reality.

Signs of Success

The “Beautification of the Beltline” initiative has been a huge success to date.  Currently there are 10+ condo projects under construction, which means potentially 15,000+ new residents in the next few years.  Indeed, the Beltline is not only one of Calgary’s most attractive urban communities, but one of North America’s too.

The citizen-led “Blueprint For The Beltline” vision adopted in 2003 has served the community well, especially when it come to Development Principle #37 – “In order to enhance the public realm and to encourage and complement high-quality private development, The City will continue to invest, subject to Council’s future budget deliberations, in improvements to public assets such as parks, cultural and recreational facilities, streets, boulevards, sidewalks, pathways, bikeways and lanes.” Amen!

By Richard White, October 1, 2014 (An edited version of this blog appeared in Condo Living magazine's October edition.)

If you like this blog, you might like: 

Calgary's Rail Trail Stroll

Calgary's Secret Heritage Trail

Beltline: A hipster hangout 

Olympic Cities: Calgary vs Salt Lake City

As Winter Olympic host cities Calgary (1988) and Salt Lake City (2002) share much in common. Both cities are young (Calgary’s median age is 36 while Salt Lake City’s (SLC) is 30), both have a population base of just over one million people, both are gateways to mountain recreational playgrounds and both have signature international festivals (Stampede vs Sundance Film Festival). 

At the same time, the DNA of each city is very different. Calgary is defined by its corporate oil & gas headquarters culture, while SLC is defined by its Mormon culture.  For a long time I have been intrigued by the idea of how the two cities would fare in a competition of urban living amenities.  Who would win the gold medal for the best public space, shopping, attractions, urban villages, transit, public art etc.? This spring on our 8,907 km road trip stayed in SLC for six days to check it out.

Salt Lake City’s Gold Medals

Convention Centre

While SLC’s Salt Palace (convention centre) opened back in 1996, it still looks very contemporary with its extensive use of glass and steel. It features a dramatic entrance with 110-foot transparent beacon towers.  Inside, the uplifting drama continues with bright and airy public areas with a lofty ceiling that features specially designed trusses by renowned roller coaster designer Kent Seko.

Nobody would call Calgary’s Telus Convention Centre a palace. And with only a third of the exhibition and meeting space of SLC’s Salt Palace, and architecture that is less than inspiring, Calgary is the loser here.

Aerial view of SLC Convention Centre in the heart of their downtown.


SLC’s Central Library, designed by Canadian architect Moshe Safdie, opened in 2003 at a cost of $84 million ($127 million in 2014 dollars).  It is a five storey triangular building with a sweeping signature curved wall that shares much in common with Vancouver’s Centre Library, also designed by Safdie. Its rooftop garden offers great views of the city and the mountains. The Library, along with its neighbour the Leonardo Museum (the old library building has been converted into a fun and funky hands-on science discovery centre) has become a meeting place for people of all ages and backgrounds.

It will be interesting to see if Calgary’s new Central Library can be as successful in capturing both the public and the design community’s attention. With a budget of $245 million, I sure hope so. Who knows what will happen with our old library – maybe an Energy Museum?

SLC's dramatic downtown library and public plaza. 

Rendering for Calgary's new downtown library.

Art Gallery

A gold medal has to be awarded to SLC for its Utah Museum of Contemporary Art which is part of the 1979 Bicentennial Art Complex.  Admission is free with a suggested donation of $5, making it very accessible.  Though not a large gallery, the exhibitions we saw were imaginative and engaging.  It also doesn’t have a long history (established in 1931); it wasn’t until 1979 that it moved to its current downtown location from the Art Barn near the University of Utah.

Over the same period, Calgary has struggled to find a home for a contemporary art gallery. Let’s hope that Contemporary Calgary will be successful in its vision of converting the old Science Centre into a vibrant civic art gallery.

The Utah Museum of Contemporary Art is part of a major arts complex. Calgary's EPCOR Centre would be on par with SLC complex except for the art gallery component. 

LDS Temple Square Campus

SLC also takes the gold medal for the Temple Square campus, headquarters for the Church of Jesus Christ of the Latter-Day Saints.  The multi-block Campus is home to not only the Temple, but to the original church, an office headquarters, the Tabernacle (housing a 11,623 pipe organ) home of the Tabernacle Choir and the historic Lion and Beehive house. Just north of the Square is their library, the magnificent LDS Conference Centre with its 21,200 seats and the Family History Museum, the largest genealogical library in the world.  The campus is sea of peace, inspiration, beauty and tranquility in the middle of the city, a rarity in this day and age.

The closest thing Calgary has to match Temple Square is Stampede Park our city’s homage to our culture of ranching and agriculture. The BMO Roundup Centre, Saddledome (SLC has a downtown arena on par with Saddledome), Grandstand, Agrium Western Event Centre and Corral are no match for the architecture and atmosphere of Temple Square.  This might change however when the Stampede completes its expansion and enhancement plans.

The Temple is the centre piece of a multi-block campus of LDS buildings that is their corporate headquarters.  

LDS Conference Centre with its roof-top garden/plaza and 21,200  theatre seats is a hidden gem on the hill behind the main campus. 

Calgary’s Gold Medals

Public Spaces / Public Art

Calgary wins the gold for public spaces. SLC has nothing to match our amazing collection of parks, plazas and promenades – Olympic Plaza, Devonian Gardens, Stephen Avenue Walk, Prince’s Island, Riley Park, Fort Calgary Park, Central Memorial Park, East Village RiverWalk, Shaw Millennium Skate Park and Bow River pathway. 

A bocci ball match breaks out in the Hotchkiss Gardens as noon hour in downtown Calgary. (Photo credit: Jeff Trost).

Downtown employees enjoy some sun and people watching along the Bow River Promenade and Prince's Island park.  

Downtown employees enjoy some sun and people watching along the Bow River Promenade and Prince's Island park. 

Other workers enjoy a run or walk at noon hour across the Peace Bridge designed by Santiago Calatrava. 

Street Life

When it comes to urban villages, SLC has nothing to match the urban vitality of Calgary’s Beltline, Bridgeland, Kensington, Inglewood, Mission and 17th Avenue with their contiguous mix of shops, cafes, restaurants and music venues.

Dairy Lane has anchored West Hillhurst's Main Street for over 50 years.

Dairy Lane has anchored West Hillhurst's Main Street for over 50 years.

Calgary's 17th Avenue aka Red Mile is a vibrant street with its mix of shops, restaurants, patios, pubs and lounges.

Calgary's 17th Avenue aka Red Mile is a vibrant street with its mix of shops, restaurants, patios, pubs and lounges.

We did find one street (Broadway) with some pedestrian oriented shops in SLC. Loved the mid-century modern shops, our favourite was The Green Ant.

We did find one street (Broadway) with some pedestrian oriented shops in SLC. Loved the mid-century modern shops, our favourite was The Green Ant.


Calgary also wins gold for its Central Business District that combines not only its 35 million square feet of office space (with another 5 million under construction), but also how its offices, hotel, retail, cultural and historic districts are linked both at street level and with the world’s most extensive elevated walkway - +15. 

Norman Foster's Bow office tower viewed from Olympic Plaza.

Calgary's skyline is dominated by highrise office and condo towers.


Calgary also wins gold for its plethora of new condos and new infill single family and duplex homes near its downtown. While SLC has some new condo and infill housing development it is nowhere near the scale of what is happening in Calgary’s inner city communities. The more I visit cities like Portland, Denver and SLC, the better appreciation I have for the incredible inner city revitalization happening in Calgary.  

Alura a new apartment across from the new Barb Scott Park with its Chinook Arc artwork.

Four new high-rise condos line Macleod Trail next to Stampede Park. 

Waterfront project consists of five buildings with 1,000 condo units. 

Dead Heats

When it comes to indoor shopping centres, SLC City Creek (yes, it does have creek running through it, and even a retractable roof) and Calgary’s Core are on par with each other, with its massive three-block skylight and Devonian Gardens.

The same could be said for the LRT systems. Although Calgary’s system carries a lot more passengers, SLC has a bigger and better free fare zone (buses are also free in their downtown).  The two cities are also tied when it comes to their respective downtown arena, performing arts centres, ballet and theatre groups.

Like Calgary, SLC also has both a Zoo and a heritage park located just a few kilometers from the downtown.

Harmon's grocery store in downtown SLC.

SLC's City Creek shopping centre does indeed have a creek running through it that meanders back outside.

The Core shopping Centre links  three city blocks with its massive skylight.

The Core shopping Centre links  three city blocks with its massive skylight.

SLC's transit corridor. 

Calgary's transit corridor.

Calgary's transit corridor.

SLC's capitol building sits on a hill with a magnificent view of the Salt Lake valley and mountains. 

Eight Avenue Place is just one of dozens of office towers that dominate Calgary's downtown sense of place as a major corporate headquarters centre.   

Eight Avenue Place is just one of dozens of office towers that dominate Calgary's downtown sense of place as a major corporate headquarters centre.  

Post Mortem

For those snowbirds who drive down to Phoenix and Palm Springs to escape our winter, it would be well worth your time to plan a few days to explore SLC.  We highly recommend the free personal tour of Temple Square campus conducted by young missionaries. We got a wonderful insight into the Latter-Day Saints culture with no pressure to discuss our religious beliefs.

The LDS Church earns more than $7 billion a year in tithing and other donations. In 1996, Time magazine estimated the church’s assets exceeded $70 billion (banks, radio stations, Utah’s largest newspaper, farmland, and Brigham Young University). In fact, the Church built and owns the $2 billion City Creek Center shopping mall in SLC along with many of the office towers across from Temple Square.  The LDS Church is a unique corporation that creates a unique sense of place in downtown SLC, as does the oil and gas towers in Calgary. It is interesting to note there are more suits and ties in SLC than in YYC. 

Where to eat?

We'd highly recommend checking out Em's (271 North Centre Street, near the Capitol Building). We liked it so much we went two nights in a row and almost went a third night.  I loved the marinated pork chop in a maple mustard and bacon barbeque sauce ($19) and the housemade ricotta gnocchi tossed in basil pesto($9) and Brenda loved Potato Lasagna ($17) one night and the dried fruit stuffed Pork Tenderloin with roasted potatoes in a bacon sherry vinaigrette ($26). Don't get me started on the desserts. 

Bread pudding with homemade ice cream.

Bread pudding with homemade ice cream.

Where to stay?

Our choice was the downtown Red Lion Hotel and we weren't disappointed.  Just off the interstate so easy access and yet still short walking distance to all of the downtown attractions, even a indie cafe across the street. The hotel has been recently renovated so everything was nice and new. 

Great view of the Wasatch Mountain out the window of our Red Lion Hotel in downtown Salt Lake City. 

Great view of the Wasatch Mountain out the window of our Red Lion Hotel in downtown Salt Lake City. 

Comfy bed with the best hotel reading light we have found.

Comfy bed with the best hotel reading light we have found.

If you like this blog, you might like: 

Calgary vs Denver: A tale of two thriving downtowns!

Downtown Fun: Spokane vs Calgary 

Boise vs Calgary: David vs Goliath 

An edited version of this blog appeared in the Calgary Herald's New Condos section on Saturday, September 27, with the title "Salk Lake City has Gold Medal amenities, but Calgary has Gold Medal public spaces and public art."


BVAS: Still Burning Exhibition

Calgary has a lot going for it. One thing that many may not realize – even those like us who love the visual arts – is the Burns Visual Arts Society (BVAS). Established in 1979, it is the oldest, continuously operating artists’ cooperative in Canada with a mandate focused solely on providing affordable working studio space to professional artists. 

The  current members are currently celebrating their 35th anniversary with a multi-media exhibition, “Still Burning,” at New Urban's PASSAGE, a contemporary art space in the off the beaten path Dominion Bridge Building in Ramsay (803-24 Avenue SE). Just opened today, the exhibition runs until January 15, 2015 and offers up an excellent full-colour catalogue with essays by curator Colleen Sharpe for just $20.  

Bev Tosh discussing her steel wire drawing "Tug of War."

Still Burning

The exhibition includes the work of 20 artists and includes everything from painting (including one which is best viewed while lying flat on the floor – not to worry - blankets and pillows provided) to a wonderful steel wire figure drawing by Bev Tosh.

For me, one of the highlights was Shona Rae’s “Barbie Beast Wall Sconces” that integrated a found small animal skull, bear fur, wood, lamp and sterling silver cast doll parts.  I loved the shamanistic good vs. evil playfulness of the piece, with one being black and the other white.  

I was also attracted to the late Elizabeth Clark’s eight-foot dress made out of copper pot scrubbers and wire with its humorous title, “Chore Girl.” Sharpe’s essay tells the haunting story of Clark, in 2008, writing on the studio’s white board “I just wanted to let you know I was here.” The following day, she passed away suddenly. 

Shona Rae's "Barbie Beast Wall Scones" 11" H x 18"W X 7"D.

Another view of "Barbie Beast Wall Sconces".

Elizabeth Clark, "Chore Girl" 100" x18" x10" copper pot scubbers and wire.

Close up of "Chore Girl."

Close up of "Chore Girl."

Brenda's Favourites

For Brenda, three works captured her imagination. Cecilia Gossen’s sculpture “Duet” which was inspired by the arches of the churches on a pilgrimage made by the artist to Santiago de Compostela in Spain. It appealed to Brenda's love of simplicity and shape.

Jane Packham’s assemblage “ICON II – Daniel’s REFUGE,” inspired by the Old Testament story of Daniel whose prophecies got him thrown in the lion’s den where God saved him from certain death, appealed to her fascination for and love of creating narrative vignettes using found objects.

It was also lust when it came to Kim Bruce’s piece which consisted of three floating book shelves, each crowded with a series of encaustic, paperback-sized books shaped into letters that spelled out three works - Knowledge Empowers Absolutely - the title of the piece. It made her “top three” because of her love of typography.

Cecilia Gossen, Duet, graphite and acrylic on MDG and plexiglas, 30"H x 24"W x 5" D.

Jaon Packman, " ICON II - Daniel's Refuge," mixed media assemblage, 55"H x 12.5"W x 6.25"D

Close up of "ICON II - Daniel's REFUGE."

Kim Bruce, "KNOWLEGE EMPOWERS ABSOLUTELY," encaustc on books, 48"Wx 33"H x 4"D

Close up of "EMPOWERS" shelf

BVAS History

BVAS was formed in February 1979 in Calgary by a group of artists who had studios in the Burns Building on Macleod Trail at 8th Avenue SW. Facing eviction due to the development of the entire block into the performing arts centre, the artists secured the upper floors of the Neilson Building (the first three floors were built in 1903 while the top two floors were added on in 1910) one block west on Stephen Avenue as their new space.

After flourishing on Stephen Avenue for the next 19 years, it, for a second time was faced with the need to find a new home. This time, the City’s plans for the convention centre’s expansion meant the block they were on was being redeveloped.

So, once again, in 2000, BVAS packed up and moved to Ramsay which has become a haven for Calgary’s creative community. Their current home consists of the entire two floors of a building at 828 – 24th Ave SE.

For 35 years, the BVAS has been home to painters, sculptors, photographers, jewellers, installation artists and conceptual creators.  By providing affordable studio space in a safe, stable environment, it has been and continues to be a creative incubator that nurtures artists and enables them to play a significant role in the evolution of Calgary as a major cultural centre.

Over 150 artists have called BVAS home at some point; several have become significant players on the national and international stage. Some alumni include: include: Dennis Burton, Mark Dicey, Greg Edmonson, Marjan Eggermont, Ron Kanashiro, Ron Moppett, Arthur Nishimura, Bill Rodgers, Naboru Sawai and Bev Tosh.

Community Leadership

Members of the Burns Visual Arts Society have taken an important leadership role in the Calgary arts community. Eleven years ago, members Cecilia Gossen and Celia Meade conceived the East Side Studio Crawl, an arts festival that has since become an annual civic arts event created to highlight and spotlight the talents of artists working in the communities of Ramsey and Inglewood. During the Crawl, artists open their studios to the public, providing a behind-the-scenes adventure through this colourful, rising art district. The reputation of the East Side Studio Crawl and its attendance continues to grow each year.

BVAS also hosts several yearly events such as the Studio Stomp in early summer, Alberta Culture Days and a Gem Event in late fall.

Award Winning

In 2012, member Shona Rae received “Best in Show in Superstition,” a national juried art exhibition in Toronto while another member, Louise Chong won the Niche 2008 Students’ Awards in Philadelphia.

As well, Bev Tosh’s many awards include the Alberta Centennial Medal, the Distinguished Alumnus Award from the Alberta College of Art and Design, the Royal Academy of Arts (RCA) designation and the Queen Elizabeth II Diamond Jubilee Medal.

Today, twenty visual artists – from new graduates to seasoned veterans - work in the BVAS’ studios.          

For more information on BVAS or Still Burning, contact Cecilia Gossen ( or Carmen Bellingham (

By Richard White, September 19, 2014

BVAS building today.

The Burns Building the original home of BVAS.

Calgarians: Where is your happy place?

Guest Blog: John Lewis, Intelligent Futures, a Calgary-based firm focusing on urbanism, sustainability and community engagement. 

What if we looked at our city from a perspective of what makes us happy?

Most of the time, discussion about the evolution of Calgary is focused on the negative and the controversial. While this kind of debate and dialogue is essential in a democracy, we also think it’s important to reflect on what is working well.

That’s why we created the #happyyc project.

We initiated #happyyc to find out what places make Calgarians happy. We think that by understanding the places that people love, planners, designers, architects, citizens and community organizations alike can help make more happy happen. For the last few months, we have been out on the streets of Calgary and online looking to find out what places make Calgarians happy. 

The idea of taking happiness seriously has been gaining traction in a number of fields – from Alberta economist Mark Aneilski’s book The Economics of Happiness to psychologist Martin Seligman’s work on authentic happiness to the Bhutan’s measurement of Gross National Happiness. At their core, all these examples are focused on what really matters to people and how to structure systems to enable these good things to occur. In the realm of cities, Charles Montgomery recently wrote Happy City, which investigates the linkages between urban design and happiness.

We wanted to take a look at our own city and hear from Calgarians about what places matter most to them. Using a simplified map and a single direction (“Map the spaces that are your happiest places!”) citizens are able to express the places that make them happy. We’re intentionally leaving it open – we’re not restricting the kinds of places that people can choose.

Could your happy place be window licking and dancing in the sidewalk ballet of one of Calgary's many animated streetscapes? 

Could your happy place be along the 700+ km of pathways?

Could it be Fish Creek Park or the new Greenway?

Could your happy place be one of our live music or theatre spaces?

What we’ve seen so far is both fascinating and beautiful. Natural spaces like the rivers, Nose Hill and the pathways are definitely treasured by our participants so far. And before we go into the in-depth analysis of responses, one thing is clear: Calgarians love to eat. The city’s eating establishments are very well represented. Neighbourhoods like Kensington and Inglewood are showing up very often as well.

We want to hear from YOU!

But we’re not done yet. We want to hear from as many Calgarians as possible – ideally, from at least one person in each of our communities across the city. Until October 1, we’re going to keep asking Calgarians to map their happy places. Once all the maps are in, we’ll analyze the responses and share the results with the community. This will give us all some great insights about the places in our city that matter most to us, along with some clues about the commonalities between them.

Perhaps you like shopping? Maybe you love our historic districts - Stephen Avenue and Inglewood?

Perhaps you have a secret spot in your community?

Could the local playground be your happy place?

Maybe you love one of our 5,000+ parks? Dog park? 

To share your thoughts, go to the HappyYYC and follow the three easy steps.

The more responses, the more insights we’ll all gain.

Step 1: Download and print a map by clicking here.

Step 2: Get our your pencils, pens, markers and/or crayons and map your happiest places.

Step 3: Send your map to the #happyyc project.

  • Option A: Mail it to us at: #happyyc  1221B Kensington Rd NW   Calgary AB   T2N 3P8
  • Option B: Scanning and emailing it to us at:
  • Option C: Uploading it to our site by clicking here
If you aren't a Calgarians, I still love to know where is your happy place. Just email me your happy place and perhaps a photo and I will add them to this post.  

If you aren't a Calgarians, I still love to know where is your happy place. Just email me your happy place and perhaps a photo and I will add them to this post. 

Edmonton: Borden (art?) Park

Richard White, August 7, 2014

It never ceases to amaze me how a day of flaneuring will unfold.  This time we were checking out the galleries on 124th Avenue (Edmonton’s Gallery District) and Brenda said, “let's wander the next block over and see what the homes are like.” We quickly found the urbanscape had changed from an almost treeless, commercial, noisy street to a calm,  tree canopied street in Westmount with a mix of early 20th century homes.

The homes weren’t huge mansions, but not tiny cottages either. Some had been fixed up nicely, but lots were in need of some TLC and there was one new infill.  Laterthat later day, we read in Avenue Magazine, that Westmount was ranked #5 on their list of Edmonton’s Top 10 Neighbourhoods. 

The house that really caught our attention was the one with about six major steel sculptures on the front lawn.  We knew that Edmonton had a love affair with steel sculpture, but this still seemed a bit strange.  Later, just a few blocks away and back on 124th Street, we wandered into Scott Gallery where we saw a steel sculpture by Peter Hide. So we thought we’d ask what they knew about the house on 125th Street with all the steel sculptures. They knew nothing, but were intrigued and said they would check it out. 

Wonderful tree canopied street in Westmount, Edmonton.

Fun house in Westmount, Edmonton.

Front yard as an Art Park?

They also proceeded to tell us about Borden Park that has been recently revitalized to include several pieces of public art including several steel sculptures.  Sounded interesting, but we had other plans - to meet a friend in Little Italy for lunch.

The idea of checking out an art park intrigued us both, so by about 6 pm we decided we had to check it out. Also, it was kind of on the way back to Urban Escape B&B where we were staying at.

Borden (Art?) Park

The backstory to Borden Park is that it was originally called East End City Park when first opened in 1906, but renamed for Sir Robert Laird Borden, the 8th prime minister of Canada after he visited Edmonton in 1914. It was a popular park with one of the city’s first outdoor swimming pools and included a popular band shell and baseball diamonds. 

Folklore has it that up to 7,000 people would invade the park on sunny Sundays for picnics and other activities in the early 20th century. It was also a fairground with rides - a carousel, roller coaster and the something called “tunnel of love known as the “Old Mill.” It was also home of the first Edmonton Zoo.

Fast forward to the early 21st century and an August Saturday early evening (it had been a beautiful day) and there were probably less than 50 people in the park. Yes, a few picnickers, a dog walker, a few walkers and some families at the playground.  Amazing what a difference 100 years makes – gone are the rides and animals.

In 2006, the City of Edmonton approved a revitalization plan for the park, which included a new uber-chic washroom, new furniture, refurbished bandshell and pathways and modern public art.  The old swimming pool is still there but closed, plans are to convert the old swimming pool into a “natural swimming experience” (i.e. the water will be filtered naturally rather than using chemicals) that can converted into a skating rink in the winter.

As we entered the park the first thing we encountered is this futuristic looking building that turns out to be an elaborate washroom. 

The Artwork

Oh yes, we did check out the sculptures and we were the only ones doing so. Except for two colourful pieces, they were all very modest scale, modernist abstract assemblage steel sculptures. They were all pretty static for my tastes, not very visually engaging and were robbed of any power they might have in a gallery setting, by the expanse of the park and its towering trees.  Even in the smaller more confined space of the contemporary water feature area of the park the four sculptures seemed lost, no synergy with the water or each other.

My favourite piece had no information on the artist or the piece; perhaps it was the newest piece and they just haven’t put up the information yet as all the other pieces were labeled. (Thanks to Allison Argy-Burgess,  I found out the piece is called “Willows” and the artist is Marc Fornes.)  It was a colourful, root-like form that allowed you to walk inside it.  And when inside, you noticed it was full of fun Matisse-like cutout holes that sparkled in the sunlight like a kaleidascope. It had a dream-like quality to it inside and out, like something from a children’s fairy tale.  I like the playfulness of the piece and that there was some engagement of the viewer to come inside and explore it. 

Willows (2014) by Marc Fornes is large and bold enough to capture park visitor's imagination. 

Fornes invites our to go inside the sculpture and look out and up. 

Fornes invites our to go inside the sculpture and look out and up. 

Standing inside the sculpture there is fun interplay of light, colour and shapes. It is like getting inside a children's playground or a kaleidescope. 

Too Much Plain Welded Steel

I think the sculptures would benefit by being relocated to a smaller, open gallery-like space where they could play off of each other to create their own sense of place.  As is, they are not large enough to take command of the large expanse of the park space they currently inhabit. there is also not enough diversity of materials and subject matter - 90% of the works a welded steel.  I have included the label text for each piece, which I also think does little to help the public better understand and appreciate the artwork. 


Ace of Wands (2014) by Ken Macklin, welded steel. Ace of Wands is a highly visual work, inviting the viewer to discover complex, intriguing relationships within its structure. The curvy, or rhythmic section is interdependent upon the more angular structural element upon which it leans. The artist evokes imagery found in the mirror arcana of the Tarot. Aces signify beginnings: wands animation and enterprise. The inspiration and sculpture represent an artistic departure for the artist for the artist in the use of repetitive curves. 

Ace of Wands (2014) by Ken Macklin, welded steel. Ace of Wands is a highly visual work, inviting the viewer to discover complex, intriguing relationships within its structure. The curvy, or rhythmic section is interdependent upon the more angular structural element upon which it leans. The artist evokes imagery found in the mirror arcana of the Tarot. Aces signify beginnings: wands animation and enterprise. The inspiration and sculpture represent an artistic departure for the artist for the artist in the use of repetitive curves. 

Gaekwar of Baroda (1999) by Peter Hide, mild steel. Gaekwar of Baroda is particularly inspired by the Indian sandstone reliefs of the Bordon Collection housed at the Glenbow Museum in Calgary. Sculptor Peter Hide states, "I was attracted by the voluptuous curves of the human body played off against the massiveness and rigidity of architectural forms. I wanted to try and bring some of these qualities into steel sculpture. 

Gaekwar of Baroda (1999) by Peter Hide, mild steel. Gaekwar of Baroda is particularly inspired by the Indian sandstone reliefs of the Bordon Collection housed at the Glenbow Museum in Calgary. Sculptor Peter Hide states, "I was attracted by the voluptuous curves of the human body played off against the massiveness and rigidity of architectural forms. I wanted to try and bring some of these qualities into steel sculpture. 

Wither and Tome (1993) by Clay Ellis, welded steel. Wither and Tome is one of a series of pieces produced by artist Clay Ellis in the early 1990s. It is made of mild steel with a coating produced through a simple oxidation process. Before embarking on the series, the artist traveled, within an 11-month period to Scotland, northern China, New York City, and led a workshop in Botswana. Ellis states that although he gathered many impressions in his travels, " was the time spent working in a remote village, on the border of the Kalahari...that shaped the work from this period. Starting a sculpture from a place where only the landscape is monumental seemed right...and familiar." 

Wither and Tome (1993) by Clay Ellis, welded steel. Wither and Tome is one of a series of pieces produced by artist Clay Ellis in the early 1990s. It is made of mild steel with a coating produced through a simple oxidation process. Before embarking on the series, the artist traveled, within an 11-month period to Scotland, northern China, New York City, and led a workshop in Botswana. Ellis states that although he gathered many impressions in his travels, " was the time spent working in a remote village, on the border of the Kalahari...that shaped the work from this period. Starting a sculpture from a place where only the landscape is monumental seemed right...and familiar." 

Last Word

We started the day out a plan to check out Edmonton’s Downtown Farmers’ Market and meet a friend for lunch. Who knew we’d end up in the east end of town exploring a park that was no more than a swamp just over a 100 years ago.

For awhile now I have been advocating that public art would better serve the public good if it was installed in its own art park where it could be curated to capitalize on the synergy between the pieces, rather than trying to compete with surrounding architecture and clutter of streetscape designs. Borden Park is an attempt at doing so, but unfortunately missed the opportunity to truly create an art park that captures the public’s imagination – young and old, bohemian and bourgeoisie.  

I understand the plan is to have 11 human scale, temporary sculptures dotting the park’s 23-hectars.  I seriously doubt this will be sufficient to attract the public to venture to Borden Park to see the art.

If you like this blog, you might like:

Putting the public into public art

Public Art: Love it or Hate it!

Famous Five at Olympic Plaza

Turner Valley Gas Plant A Hidden Gem!

Richard White, July 27, 2014

While the others played follow-the-leader with David Finch, our tour guide, I was busy flaneuring the Turner Valley Gas Plant (TVGP) – southern Alberta’s secret national and provincial historical site.  While the history of the birthplace of Canada’s oil & gas industry is interesting what fascinated me immediately was the untouched industrial design of the buildings and the equipment. 

Careful not to wander out of earshot of Finch (yes, I did get some dirty looks – mostly from Brenda - for wandering off), a human equivalent of “Google” with his wealth of knowledge not only of the TVGP but of Alberta history.  Who knew the Turner Valley Field continues to produce oil and gas using enhanced recovery methods? 

I learned the town of Royalties (that should be Calgary’s nickname, or maybe Stock Option City), at its peak in the late 1940s, was home to nearly 1,700 people. Today the only indication the town even existed is a monument 5.6 km from Hartell (3.2 km south of Naphtha, which has only four home remaining).  Royalties’ nickname was “Little Chicago” as the wheeling and dealing paralleled that the Chicago mafia and Al Capone.  And in the mind of locals, if Royalties is “Little Chicago,” then Longview must be “Little New York” especially given the high prices charged by the stores.  Other nearby town names included Snob Hill, Dogtown and Mortgage Heights – we need more fun names.

Another interesting factoid was that the “liquid” that gushed out of the Dingman #1 well in 1914 was so pure you could (and they did) put it directly into your car - a good thing as Calgary had no refinery back then.  Listening to Finch is like listening to a gusher; the stories and information just flow out of him. 

I would recommend the TVGP weekend tours to everyone – locals and tourists.  I am thinking it should be a mandatory school trip for children across southern Alberta. Tours happen Saturdays, Sundays and holiday Mondays until the end of September from 10 a.m. to 5 p.m. Admission is by donation.

For more information on the history of TVGP, check out the 100th anniversary You Tube video hosted by David Finch. 

David Finch reciting a poem

David Finch reciting a poem

Gas plant as art gallery...

I have chosen just a few of the many images that allude to different schools of modern painting, ceramics, photography and sculpture that I found at TVGP.  The visual stimulation was equal to anything I have experienced in major contemporary art galleries and museums around the world.  I have given each piece a title, just for fun! 

Industrial Patina 

Fire Blanket 


Eye Balls

Yellow Red Orbs

Yellow Red Orbs


Architecture & Industrial Design 

I think these images speak for themselves. 


The Doors...

I was fascinated by the rusted, battered industrial doors.  I learned the red dot means their is a fire extinguisher nearby.  I did not learn what the green dot meant, perhaps I should have listened better. 

door red green
door half circle

Last Word

While David was a bit annoyed by my flaneuring at the beginning, I was able to partly redeem myself when I found some sulphur chunks on the ground. And just when he thought I wasn’t listening, (I was hidden from view taking pictures of some hidden gem I had found) I was able to repeat his Hitler story back to him.  By the end of the tour, he trusted me to lock the doors behind us.

Thanks David – you are the best tour guide ever.

If you like this blog you might like:

Meeting Creek: Ghost Town Meets Art Town

Travels in small towns in North America

The Ten Commandments of a Flaneur 

Stampede Park: Art Gallery / Museum

Richard White, July 7, 2014

Today I had a few hours between meetings so I decided to flaneur Stampede Park looking for some fun, funky and quirky things.  I was not disappointed.  I quickly found lots of people climbing and milling about the massive bronze sculpture "By the banks of the Bow."  I loved the fact that people were using the artwork like a playground. 

I also found the children's midway rides bordered on public art and playgrounds with their bright colours, shapes and forms.  It seemed their were historical murals everywhere I looked. Even in the animal barns I found the metal and wooden calf  in the demo roping area to be sculptural. 

Of course, the RoundUp Centre had been converted into a large gallery space, with strong traditional Western Art bent, but I also found some contemporary pieces, as well as some fascinating historical photos, a quilt show and some Stampede Queen fashions from the past 60 years.

The biggest surprise was wandering around the lobby of the Stampede Corral and finding old photos of hockey players, curling and figure skating.  It was like a mini sports hall of fame. 

Before I knew it my 2 hours were up and I had to rush off...but I will be back...I know there are more artworks and artifacts to be uncovered. 

Stampede Park as an art gallery

"By the banks of the Bow" is a massive bronze sculpture that serves as a great meeting place.  It is a popular photo spot and also a wonderful work of art that enhances the sense of place at Stampede Park.

The "Lollipop" ride reminds me of the two public artworks by Jeff de Boer at the Calgary International Airport. 

This looks like something the surrealists would have done.

A close up of horse sculpture which didn't do much for me from a distance, but I loved the shapes, surfaces, patterns and colours up close.

This photo of a First Nation Dancer caught my eye for its colour and movement.

Alberta Blue by Wanda Ellerbeck was completed as part of the Stampede Ranch program where each year artists get to spend time on the range for inspiration. I am always amazed at how contemporary artists interpret their ranching experience.  This would be a good addition to our collection.

Stampede as a museum

It is hard to believe this was Stephen Avenue. Today it is home to billion dollar skyscrapers, convention centres and museum. Today $5 would get you larger latte at Cafe Rosso.

Who knew Calgary had such a long history of playing cricket.  Today Calgary has no passenger train service?

Urban agriculture is not new.

Loved this map from both an art and artifact perspective.

There is an wonderful exhibition of about 20 Stampede Queen outfits from the '50s to present day, each in their own display case.  It reminded me of the Elvis costumes i saw in Memphis at the STAX Museum of American Soul Music, Sun Studio Museum. Memphis Rock N' Soul Museum and Graceland.

Stampede Park as a sports hall of fame

The photos in the lobby of the Stampede Corral is literally a who's who of hockey in Canada.

There is also some curling history

An everyday tourist reader responded with: 

Cool piece, the “Frenchy” D’Amour photo would be from the 1948 Brier that was held in Calgary – probably at the Corral. The advertising was interesting to see on the scoreboard - “Smoke British Consols” which were a brand of MacDonald’s tobacco products.

The Brier playdowns into the 80’s were know as the Consols playdowns. The dude with the raccoon coat was David Stewart son of the owner of MacDonald Tobacco. David Stewart later became a Senator.


This figure skating photo intrigued me.

If you like this blog, you might like:

Public Art & Playgrounds

Graceland Bah Humbug!

Calgary's International Avenue Deserves More Respect

By Richard White, June 26, 2014 (An edited version of this blog appeared in the Calgary Herald's Neighbours feature titled "Eclectic International Avenue is changing.") 

For many Calgarians, International Avenue (17th Ave SE) is on the wrong side of the “Deerfoot Divide” i.e. they never go east of Deerfoot Trail. Too bad. They don’t know what they are missing. 

 International Avenue has 425 businesses along its 5-km stretch of 17th Avenue SE between 26th and 61st Streets.  Under the leadership of the International Avenue Business Revitalization Zone (BRZ) formed in 1993, these small independent businesses have continued to thrive - some for over 40 years – Gunther’s Fine Baking, Illichmann’s Deli, Harmony Lane, Totem (now Rona) and Calgary Co-op to name a few. Over 30% of the businesses are food-related, with many wholesaling to Calgary’s upscale restaurants, hotels and food trucks. 

To some, International Avenue is a hodgepodge of one to three storey buildings from the ‘50s, ‘60s and ‘70s.  There are few chain stores (Target picked International Avenue for one of its first Calgary stores) mostly local “mom and pop” shops.  It’s also a place where you are likely to hear a dozen different languages spoken within a few blocks. In the words of Executive Director Alison Karim-McSwiney, “it has a small town feel with a global marketplace.”

John Gilchrist, Calgary’s foodie guru and author of “My Favourite Restaurants Calgary, Canmore and Banff spends a lot of time on International Avenue. Why? “On this strip, you find food cultures as close as they come to their native lands.  It lives up to its name ‘International Avenue’ with great restaurants like Mimo (Portuguese), Fassil (Ethiopian), Pho Binh Minh (Vietnamese) and many other favourites of mine,” says Gilchrist.

Similarly, Mike Kehoe, Fairfield Commercial thinks International Avenue is “an eclectic commercial strip where ‘the world meets the wild west.’ I love the mix of ethnic tastes with dining options from around the globe and the interesting retail diversity along 17th Avenue SE where it seems anything is commercially possible.”

Unity Park is just one of the many improvements the International Avenue BRZ has spear headed since its inception. 

Desert on 52nd is just one of the many mouth-watering bakeries along the Avenue. They even have diabetic baklava. 

Tipping Point

International Avenue is at the “tipping point” of change with many major new projects in the works. One example is artBox, a 5,4000 square foot multi-purpose art space located in the old Mill’s Painting Building (1807 – 42nd ST SE) with studios and performance space for local artists. Almost anything goes at artBox from Aboriginal to African art.  It is quickly becoming a meeting place for artists from diverse ethnic backgrounds and anyone interested in art. 

International Avenue is also home to an active mural program initiated in 2001; the murals capture the ethnic diversity of the community. In 2014, two new murals will be added to the collection, one celebrating the community’s African cultures and the other its Italian heritage.

In 2010, the City of Calgary working with the communities and the International Avenue BRZ, approved the Southeast 17 Corridor Land Use and Urban Design Plan that recognized International Avenue as one of the City’s important urban corridors.  As a result Land Use changes to allow for more mixed-use developments will result in the addition of 13,000 new residents and 9,000 new jobs to the community over the next 30 years. 

The International Avenue BRZ also successfully lobbied the City to designate land for new 1,000-seat arts and culture performance space.  City funding is also in place to create a BRT (Bus Rapid Transit) route along 17th Avenue SE as part of its Green Line that will provide better east/west transit connectivity.

Artists rendering of International Avenue's proposed performing arts cultural centre. 

An old paint store gets new life as artBox. 

An old paint store gets new life as artBox. 

A rendering of the vision for International Avenue as a tree lined boulevard that integrates auto, bus rapid transit, pedestrian friendly sidewalks and mid-rise condos and offices. 

Festival Fun

International Avenue is home to not one, but two signature events – “Around the World in 35 Blocks” and “Global Fest.”  Initiated in 1997, “Around the World in 35 blocks” is a food tour that happens 14 times a year and everyone is sold out. The June 28 tour is already sold out, so reserve your tickets now for the August 23 or September 27 tours.  These fun bus tours (35 people) take you to five different continents, sampling food from places like Asia, Africa, Middle East, Portugal and the Caribbean. 

Global Fest is an international fireworks festival as well as the “One World” multi-cultural festival.  The fun and festivities take place at Elliston Park, with its 20-hectare pond (the size of Prince’s Island).  This year’s festival takes place August 14 to 25.

Market Collective a diverse group of young artisans now calls International Avenue home; this is an example of how International Avenue is quickly becoming Calgary's new hipster district. 

No Respect

While Calgary’s “other 17th Avenue” doesn’t have the cache of 17th Avenue SW, to those in the know, it is one of Calgary’s hidden gems – especially if you get out of your car and explore.

If you like this blog, you might like:

Weekends Start Thursday on Spokane's Perry Street 

Beautiful Downtown Bowness

Flaneuring 19th Street NW 

Flaneuring fun in downtown Tucson

Richard White, June 22, 2014 

Some days we just like to head out and explore without any particular agenda or destination. This is particularly fun in urban places where there are usually lots of surprises that aren't in the tourist brochures.  It is a must that you have to walk the street to find the surprises - you won't find them driving or cycling by.   

Recently, I was browsing our photos from our 8,907 km Spring Break 2014 Road Trip and found a collection of images from a fun day of flaneuring in downtown Tucson that I thought would make a nice "everyday tourist" photo essay. 

The great thing about flaneuring is its FREE, you can do it anywhere and you can do it everyday! 

One of our favourite things to do when exploring an urban place is "window licking."  I find images like this as interesting or more interesting than anything in an art gallery.

Who knew a beautiful orange tree could grow (kinda) in downtown Tucson. 

Gotta love a drive in liquor store deli.

Perhaps the world's most colourful colonnade can be found attached to the Goodwill building. 

More window licking fun. 

The Chicago Music Store was a real find.  Family owned since 1919 it is fun place to explore - part music store part museum. 

The Chicago Music Store was a real find.  Family owned since 1919 it is fun place to explore - part music store part museum. 

Retro neon signage adds as much or more visual interest to a streetscape as most public art. 

Ran into a wedding and these young men were more than willing to pose for a photograph - everyone was having fun (see girls in background). 

Sure Portland and Vancouver have their food trucks, but what about an art truck? 

Public art as transit shelter?  Tacky? Fun? Clever? 

Butterflies & Skeletons? Tucson has a rich high and low brow culture. 

More fun signage as public art!

More fun signage as public art!

We did not explore the roof-top patio at the Playground Lounge but it definitely adds an element of fun to Congress St. 

You won't find this postcard image in any of Tucson's tourist information brochures. 

Nor this one!

Nor this one!

Heading home we discovered Tucson's Rattlesnake pedestrian bridge that links the southside residents to downtown who are cut off from downtown by a 6-lane highway.  

Inside the rattlesnake!

Rattlesnake tail plaza. And, yes there is rattle sound as you pass by!

Exploring Phoenix Without A Car!

Richard White, June 20, 2014

One of the things that has discouraged us from visiting Phoenix is that we thought you had to have a car to explore the city.  First off, we are thrifty so adding hundreds of dollars per week to a vacation is something we avoid. Second, we love to walk and take transit when we travel as it allows us to to see more and experience the city more like a local. (Blog: Everyday Tourist Transit Tales)

But our recent stay at the Red Lion Inn and Suites in Tempe (RLIST) proved us wrong - in fact you don’t need a car to explore Phoenix’s many attractions.  “How could that be you ask?” 

Red Lion provides an airport shuttle service that will pick you up at the airport and take you back.  And, while you are staying there, two vans are available to take guests to anywhere within a five-mile radius. What a great amenity!

Five Mile Zone

Within the five-mile zone of RLIST, you can get dropped off and picked up at the following places: