Recently Thomas Schielke (German architect who works for lighting manufacturer ERCO) wrote a piece for ArchDaily website titled “Veiled in Brilliance: How Reflective Facades Have Changed Modern Architecture.” I was surprised when he started off his piece with the observation that “modern architecture promoted the monotony of large glass facades that have bored our urban citizens.” He then goes on to talk about how recently more unconventional reinterpretations of the glass façade has create more visually interesting jewel-like buildings.”
He points to Hamburg, Germany’s Elbphilharmonie concert hall designed by Herzog & de Meuron as perhaps the best example of the visionary glass culture in the way the building captures and distorts the perception of the city, water and sky.
The images of Elphi as it is nicknamed are impressive, but I would put Calgary’s collection of sparkling office towers up against any other city’s collection I have seen.
Perhaps we have an unfair advantage as we have more days and hours of sunlight than all most any skyscraper city and we have some of the cleanest air, which creates ideal conditions for sunlight reflections off glass facades. We also have one of the most dense downtowns in the world with two, sometimes three towers on one block which further enhances the interplay of different architecture, facades and light into playful distortions.
Perhaps we have an unfair advantage as we have more days and hours of sunlight than all most any skyscraper city and we have some of the cleanest air, which creates ideal conditions for sunlight reflections off glass facades.
We also have one of the most dense downtowns in the world with two, sometimes three towers on one block which further enhances the interplay of different architecture, facades and light into playful distortions.
Perhaps my favourite is Eight Avenue Place, which changes colour constantly through out the day and year as the sunlight reflects off of the various facades – one minute it is deep blue the next steely grey.
The Bow Tower because of its huge concave surface facing south captures the sky and clouds in unique ways. The postcard shot is looking up into a blue sky and so the top of the building and sky merge - hence the name skyscraper.
I love to stand on the 9th Avenue side of Bankers Hall’s 9th and how it interacts with Gulf Canada Square’s flat glass surface.
I also love the way the Calgary Tower gets twisted and distorted in the facades of various buildings, sometimes five and six blocks away.
Outdoor Art Gallery
Each new building brings a whole new whole new interpretation of our downtown’s sense of place.
The curved vessel-like shape of 707 Fifth Tower, designed by the highly regarded international architectural firm SOM (they designed the world’s tallest building Burj Khalif Tower in Dubai) is going to create some amazing new artworks.
As will Telus Sky (designed by world-renowned BIG architects) with its pixelated façade that twists and narrows from the ground to the sky. I can’t wait to see how it interacts with our prairie sky and glass giants (The Bow and Brookfield Place), Suncor Place’s red granite and Bow Valley Square’s four concrete rectangles.
Calgary’s downtown is no longer an ugly concrete jungle, but rather is a playful outdoor art gallery.
Hope you enjoy this exhibition of art from our downtown….
One of the biggest criticisms of downtowns in the 20th Century was that they became ugly concrete jungles. However, by the ‘90s the emergence of glass facades for office and condo towers changed everything. Douglas Coupland (Vancouver novelist and artist most famous for his book Generation X) nicknamed Vancouver “The City of Glass” as a result of the multitude of glass condos dominating their skyline by the end of the 20th century.
For decades I have loved the way Calgary’s glass towers capture our big blue prairie sky and neighbouring buildings to create wonderful surrealistic images.
To me it makes our downtown an ever-changing outdoor art gallery.