When I visit an art gallery/museum, I can’t help but look at the exhibition(s) from a curator’s perspective and wonder what would I do differently. It’s a bit of a case of “once a curator, always a curator,” having organized 100+ exhibitions over 10 years at Calgary’s Muttart Public Art Gallery from 1985 to 1995 (a precursor to what is now Contemporary Calgary).
Upon entering a gallery, my mind immediately starts questioning. Is there an exhibition theme? What is the curator trying to say to the public? Why did the curator choose these particular works? Why are they hung like they are? Is there a more logical way to group the art? Why is this work beside that one?
I never read the curator’s statement first (though it is usually on the wall at the entrance to the gallery), as I don’t want to be influenced by his/her thinking. But often I will read it after I have reviewed the exhibition and then sometimes revisit the artworks to determine how well the art and statement connect. Does it help me gain new insights about the art and the exhibition? Is the statement public friendly or art gibberish? As I said, “Once a curator, always a curator!”
Especially when visiting large galleries with many exhibitions, I like to make it fun by looking at all the art with one theme in mind. Maybe a colour, brushwork, shadows, faces or architecture – whatever catches my eye first.
Recently, when at the Musee des beaux-arts de Montreal (MBAM), Canada’s second largest art gallery, (the largest being the Art Gallery of Ontario in Toronto), I decided to study how hands were portrayed in various artworks from contemporary to traditional, from photography to sculptures.
Backstory: The idea came from a photo I took of the lovely second floor columns of the historic Bourgie Concert Hall, across the street from the MBAM. When I checked the photo, I surprisingly, noticed, a cluster of fingers in the foreground where the head should be of life-size “winged figure” sculpture.
It was only when working on this blog, that I learned the sculpture by David Altmejd’s titled is titled “The Eye.”
My curatorial statement can be found at the end of the blog for those interested. I should also add that if you are in Montreal, be sure to designate a few hours to visit MBAM.
Without further adieu, here is my curated exhibition of close-up photos of hands from various artworks on exhibit at MBAM in December 2016.
The images were chosen to reflect the tremendous range of emotions that can be – and are - portrayed by the human hand - from a sense of innocence to strength and power; from tenderness to love and passion. The images hopefully also evoke a sense of individuality, human interaction and/or intimacy that strike a cord with everyone's personal experiences.
The images were also selected to illustrate how different media - from photography to painting and artists have employed different genres from realism to primitivism - for centuries to convey a sense of the human experience.
And thirdly, images with a strong narrative were chosen in the hope they would spark some thoughtful personal reflection and memories about the viewer's life.
No artists’ names or artwork titles are included, thereby allowing the viewer to focus on the image and not be distracted or swayed by peripheral information. Ponder the hands based on your own experiences and ideas to create your own meaning and significance for each image and for the exhibition as a whole.
Ideally, in doing so you will have gained a new appreciation for the “human hand” both in art and in everyday life.