Mural Musing: Are Calgary's Murals Too Generic?
Like Richard, (this is guest blog is by Irene and Walt DeBoni) we love to explore. What makes our city – as well as cities and towns around the globe – tick? What is its past? Who is it at present? What makes it unique? What does it hope for the future?
Murals help to answer these questions. That is why I am disappointed when a mural only consists of splashes of colour or meaningless squiggles. Murals have long been used to tell the past and perhaps show the injustices that still endure.
Perhaps Diego Riviera is the most famous muralist to show the injustices colonists foisted on the new world, particularly in Mexico.
A Sense Of History
Considering the number of murals we have in Calgary, very few tell our history. Exceptions include The Northern Hills Community Fence where artist Mark Vazquez-Mackay outlined what would be featured on each length of fence and then community members painted the murals – our history is told from the ice age till the present time, often with a lot of wit.
The Stanley Jones History project, painted by students guided by artist Stan Phelps, is comprised of 12 murals on the 8th Avenue NE fence which tell the history of their school, the Renfrew area and Alberta.
The Legacy mural by Doug Driediger on the back of the Petroleum Club shows the history of the oil & gas industry in Alberta (and how the oil & gas industry shares the land with farmers and ranchers.) Downtown's newest mural, created by Van Charles Designs on the back of the Hudson Block, shows Baron George Stephen and the elements of the CPR railway he helped found and complete. Did you know: Stephen Avenue was named after him and the CPR determined where our downtown is located today.
Of course, the Stampede has had wonderful murals showing our history. It will be interesting to see the art work that will be present as new buildings take shape on the grounds.
East Village Mural Program
We miss the East Village murals that showcased our history and blended it with imagination, but unfortunately the East Village murals are only temporary - new ones are painted every 24 to 36 months. One example is The Field Manual: A Compendium of Local Influence created by Daniel Kirk, Ivan Ostapenko, & Kai Cabodyna where they sought to tell the story of what the East Village had been and what it could become. We “caught” one of the artists at work under a bridge abutment leading into East Village who told us that they had spent a lot of time at Glenbow doing research to make sure their depictions were accurate.
Kirk, Ostapenko and Cabodyna’s murals program invited you to pause, to examine, to think about what you are looking at. Their location along the East Village RiverWalk enhanced the pedestrian experience significantly.
Chinatown Mural Program
Chinatown does a wonderful job of preserving the past while showing us the present, often with a sense of humor. Many of the murals are in hidden courtyards or in back alleys, but the viewer's perseverance is rewarded. Revision of Last Spike tells us a story that is not to be forgotten – the contributions of the Chinese to the building of the railway and the toll on the Chinese people. But then we return to the present with a great take on the Peace Bridge designed by Ginny Tran, labeled the Dragon Bridge, that celebrates Canadian multiculturalism.
The latest is a humorous view of Chinese icons – koi fish and panda bears (it helps that the Calgary zoo has twice hosted pandas – so a real China-Calgary connection).
A Sense of Place
Second Cup Coffee is to be commended for the murals on its walls in their coffee shops. When in the Beltline location, one knows it is Calgary – and specifically the Beltline (17th Ave at 4th St SW) - that is being depicted as the mural is full of local references. There is a real “sense of place.”
Ditto the Kensington location – unfortunately the artwork is no longer present now that another coffee shop is in that spot.
Inspiration For The Future
In Calgary, the huge mural of the dove and hand reaching up that has graced the east wall of the old Calgary Urban Projects Scociety building for over 25 years is a great example of how a mural can be inspirational. Even though CUPS itself moved from the building several year ago. the mural has become part of Calgary’s sense of place. The fact that 1,000s of many people protested, when it appeared it would be painted over, attests to the fact murals that speak to a city’s history, culture and place can be important to people.
Conclusion
We have some great murals in Calgary, but we would love to see more that show locals and tourists who we are today, who we were in the past and who we want to be in the future.
Last Word
Irene and Walt are not only regular Everyday Tourist readers, but they are very active in Calgary’s historic preservation and storytelling community. They are avid neighbourhood explorers when they are in Calgary and avid flaneurs when they travel to other cities. I concur with their observations both about Calgary’s murals and those in other cities. Seems to me the older the city, the more the murals reflect the city’s history and culture.
I would like to add a couple of more Calgary murals I think speak to Calgary’s sense of place and history.
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